Thursday, 23 May 2013
Dwelling In Kwaidan's Bright Drone Metal
Back in 2011 I spoke about a band from Chicago called Locrian. I really dug their The Clearing release from 2011 - still do - but haven't really paid them much mind since. The excellent Bathetic Records have put forth some pretty bloody good releases of late (Lee Noble's Ruiner is also ace - more on that soon), and their latest presser is for the debut LP from Kwaidan, which features Locrian's Andre Foisy. Bathetic and Locrian dragged me in - but Make All The Hell Of Dark Metal Bright is darkly, seductively hypnotic by its own standards.
Firstly, check out the cover art - this is such a rad photo, I would be pressured to listen to this on the image alone. Foisy is joined by Mike Weis (Zelienople) and Neil Jendon, underscoring Kwaidan's penchant for insidious drone. Yet these elements still didn't prepare me for the dense atmospherics that Make All The Hell... unleashes. The pervading sense of oppressive anxieties that the percussive undercurrents push to the surface, an undulating presence intermingling with the slight electronics, percolating guitar and ghostly piano lines to create an ominous beauty - the fog rolling over mountain ranges, licking the heels of the forest floor, or linger in backwater streets as the light seeps up over the horizon.
Make All The Hell... contains all the elements that makes drone music an essential element of the musical landscape; underscore why drone is a necessary byproduct of psych musicality; and how the strained tensions of the loud/quiet dynamic can be endlessly utilised for maximum effect without falling into the familiar tropes that mediocre post-rock aficionados flock to. This is an incredible record.
You can pre-order Make All The Hell Of Dark Metal Bright here - it is quite brilliant.