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Attention Please, one of two Boris albums released simultaneously (the other being Heavy Rocks), is another bold directional tack, zagging where a zig would suffice. Wailing guitarist Wata, usually at the fringes of the back in a singing capacity, is the sole vocalist here, the first time she has taken the vocal reins for the entirety of a recording – and it’s amazing this hasn’t happened before. Her alluring voice soars, creeps, arouses and distances in equal measure. The breathy delivery of 'You', the punky sing-song of 'Les Paul Custom ’86', and the sultry swoon of standout tracks 'Tokyo Wonder Land' and 'Spoon', adds a new dimension to an already multi-faceted group. It is the minimalist slant that is most surprising - and most effective. By dialling down the noise to just the most opportune of moments, its impact is stronger in its suddenness, and equally as effective when it leaves hushed tones in its wake.
Attention Please is an incredibly effective album, one where the three musicians known for losing their shit are more about control here, therein offering a depth of focus that’s astonishing.
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Boris -Hope
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