I must admit, though, it frustrated me at first. There is a chord change early on which hints that this one might push the gain through the roof. It remains but a hint. This track is an effort of far more restraint. More the leaning against the wall after everything has caught up with you, less climbing the bar, demanding people, henceforth, refer to you only as DDP. But on a second listen, that second verse grabbed me. It wasn't the lyrics, it was that tone - what a voice. There is something lurking behind this. I have a feeling that, live, any pretense of it holding back won't last past the chord change. Diamond Cutter!
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