After that interview with Liam Kenny last week, I thought I would continue with another Adelaide funk out that features a Liam Kenny that isn't Liam Kenny. The drone in the punk synth wail of Vintage Violence (not to be confused with the Italian punkoids of same name) evokes John Cale (seeing as they cribbed their name from one of his albums, that is a fair if obvious make) and more insidious gothic synth lurkers like 'Desert' and 'Nerve damage'. This Liam Kenny (of excellent unhinged boozehounds Wireheads) is joined here by fellow Old Mate old mate (and a Peak Twin) Ben Quici. The seven-track album moves along at a oozing pace, the industrial crawl emblematic of the bleak Gothic claustrophobia Europe continually pumps out of the pores of its desecrated earth. Especially when you hear 'Back To You', which is as desolate and dead-eyed as they come. It's brooding, barren, brilliant. Out through Format Records as a digital download or 100-run cassette, both from here.
Thursday 29 January 2015
Wallowing In Vintage Violence
After that interview with Liam Kenny last week, I thought I would continue with another Adelaide funk out that features a Liam Kenny that isn't Liam Kenny. The drone in the punk synth wail of Vintage Violence (not to be confused with the Italian punkoids of same name) evokes John Cale (seeing as they cribbed their name from one of his albums, that is a fair if obvious make) and more insidious gothic synth lurkers like 'Desert' and 'Nerve damage'. This Liam Kenny (of excellent unhinged boozehounds Wireheads) is joined here by fellow Old Mate old mate (and a Peak Twin) Ben Quici. The seven-track album moves along at a oozing pace, the industrial crawl emblematic of the bleak Gothic claustrophobia Europe continually pumps out of the pores of its desecrated earth. Especially when you hear 'Back To You', which is as desolate and dead-eyed as they come. It's brooding, barren, brilliant. Out through Format Records as a digital download or 100-run cassette, both from here.
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