Showing posts with label CRTVTR. Show all posts
Showing posts with label CRTVTR. Show all posts
Saturday, 8 June 2013
Eloise's Winter (Tenzenmen Update #4)
I've been a big fan of mysterious Chinese shoegazers Dear Eloise, and the fairly prolific duo have another release at their disposal. The Winter Has Disappeared 7" is two tracks that glisten in the darkness, shimmer in the shifting sands, a beauteous mirage. There tends to be an ambiguity or distance put in place when bands travel down the shoegaze route, but Dear Eloise manage to sidestep that with 'Vanishing Winter' - not only immediate, but attractive and inviting. 'The Place In White Light' is the aftermath - stumbling forth, trying to grasp that wavering nirvana, falling into the dirt with empty hands, eyes and soul. The ying and yang, then.
You can buy The Winter Has Disappeared here in translucent green vinyl. As a side note, all throughout June you can go to the Tenzenmen website and make a bit of a comment on their page. And when you do, you get a 30% discount on all Tenzenmen releases through their Bandcamp! What a sweet deal. There are more releases I'll be insisting you jump on in the ensuing days too, so start cracking open your Dollarmite money banks...
Monday, 3 June 2013
When You Kill A Giant, Blood Pours Out (Tenzenmen Update #3)
I finished up a week's look at Metal Postcard Records recently. The founder Sean Hocking sees Shanghai duo Pairs as an incredible band (and so clearly do we), following every half-baked venture the duo head out on. So to close out the week we are (figuratively) travelling back to Shanghai (via another Shaun, he of Tenzenmen Records) to look at another ex-pat band that calls the Chinese city their home, Death To Giants. Death To Giants are even harder to define, a true amalgam of genres seemingly at odds with each other - math rock, metal, and hardcore, to jazz, pop (with moments verging on the fey)... With no guitar, the duo use yelps, a trombone and an array of collaborations (including scoring muted films, traditional Mongolian folk music and a System Of A Down tribute band) to flesh out whatever whims they come up with. Its a heady, insane mixture of molasses to swallow, especially over the course of a full album. But with Blood Pours Out, the duo start to make sense - like naive art drawn by a limbless Charles Manson might. 'Anyone Can Learn To Count In Chinese' feels like Deerhoof distilled through a Blood Brothers woodchipper; 'Jared Leto' and 'Girth vs Length' are maniacal gems that rot your teeth and eviscerate your stomach. And to add to the obliterated fourth wall, there is an instrumental version of 'Anyone Can Learn To Count In Chinese' for free download so that you can make your own remixes, submit them to deathtogiants@gmail.com and the band will choose their favourites for a future release. Death-pop indeed.
You can buy Blood Pours Out here.
Death To Giants - Anyone Can Learn To Count In Chinese
Death To Giants - Girth vs Length
Tuesday, 14 May 2013
Cartavetro Wattage (Tenzenmen Update #2)
Doing an update on Tenzenmen Records is almost a futile effort, so many releases seem to flow out of this excellent DIY distro/label. So I intend to devote as much time as possible on catching you up. Whilst the majority of bands are from the Australasian quadrant of the world, today we travel to Italy - Genoa in fact. CRTVTR (pronounced "Cartavetro") mold Washington DC post punk into a variety of ill fitting forms to create something amorphous and uneasy. They are not alone in their constant search for meaning within the gaps between genres either, as on their latest LP Here It Comes, Tramontane! they are joined by one of the world's truest sonic journeymen, Mike Watt. Such connections make sense, due to much of the musical aspirations coming from ninety-degree about-turns, math spikes transforming into post-rock ebbs and flows,
electronic ambiance melding with effect manipulation. It doesn't always work, but something like this never will, and that isn't the point. The point is taking ownership of the sound, control within the experiment, or at least being at one long enough to allow the loss of control.
Here It Comes, Tramontane! can be picked up here.
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