Showing posts with label Mercury Rev. Show all posts
Showing posts with label Mercury Rev. Show all posts

Thursday, 8 September 2011

A Day On A Remote Island's Heaven


Picked this EP up from Crawf over at Tome To The Weather Machine. The band is Philadelphia's Remote Islands (or more accurately, Colin Pate and a revolving door of mates), whose Days Of Heaven EP is an interesting mix of folk and experimental intricacy. For whatever reason I got a mixture of Mercury Rev, Neil Young and Syd Barrett when listening to this. The multitude of instruments on display, including banjo, mandolin, upright bass, Wurlitzer, flute, cello (the list is goddamned extensive), combined with the lo-fi production, creates an otherworldly sound, something that is orchestral and baroque in the way Modest Mouse might have been in the 1800s (see 'The Story Of Chairs'), yet with a lot of synth disco influences flooding through the veins (see 'Landau/Midlands' and 'There's A Cost Associated'). I was supposed to be marking dissertations - I instead ate a spinach and feta foccacia, drank two coffees, and threw balled up pieces of scrap paper at the bin - for about an hour. A true procrastinatory tool - obtusely fascinating, strikingly unfamiliar, yet altogether attractive.

Monday, 7 February 2011

Labouring over Parts Of The Future


Just a quick post for Brooklyn math noise band Parts & Labor, as they prep upcoming LP Constant Future. The title track has been released as a taster before the album comes out on Jagjaguwar on March 8th. The intricacy and intensity are all present and accounted for, and with producer Dave Fridmann at the controls (Mercury Rev/Flaming Lips), it will be a polished affair. You can go over to Parts & Labor's official website to stream some of the other tracks.

Parts & Labor will be playing a glut of show at SXSW in March before coming over to London and taking over Camp Basement in May.

Parts & Labor - Constant Future

Friday, 20 August 2010

Don't Mellow Out


Have been listening a bit to the new 7" by a lil band called Mellows, It's In The Stones/Ghostriding (through Tweaking Trays and Royal Rhino Flying Records). Its a bit of a crazy hybrid - imagine if you will, Mercury Rev picking daisies with Grandaddy in Devendra's backyard, whilst a 12" retro red TV hums in the corner to the tinklings of a NES system theme song (maybe Zelda) paused on the menu page... And that is Mellows. Not deliberately obscure - its actually fabulously accessible - Mellows take freak folk to a few fields over from the left, with psychedelia vapour trails in their wake. Its very interesting, and signals better things to come.

Mellows - Ghostriding

Tuesday, 16 March 2010

Stop with the wolf monikers! Oh, its your actual last name? My bad...



Tonight over at Heaven Californian hard-to-categorise-ers WHY? are playing their - well, hardto categorise - brand of indie folk hip hop ness, and will be a gig that I for one am very lucky to attend. I have no real idea what to expect. However Im equally looking forward to the supporting cast. WHY?'s frontmanYoni Wolf is 'letting' WHY? drummer and his older brother Josiah let loose with cuts off his own album, Jet Lag. Josiah's brand of understated quirky folk pop is endearing and a perfect precurssor of what is likely to be an eclectic gig tonight. The album itself is nice and soft, not taking too many risks, evoking simplistic notions of Mercury Rev or Sufjan Stevens lite grooves and amusements. Check out the tracks below - The Trailer and the Truck being the best cut off the album, The Apart Meant more indicative of the album's tone - and buy a ticket for the gig tonight!

Josiah Wolf - The Trailer and the Truck
Josiah Wolf - The Apart Meant