Showing posts with label Jesu. Show all posts
Showing posts with label Jesu. Show all posts

Tuesday, 11 September 2012

Vale Hydra Head


Sometimes it's incredibly hard to wake up in the morning. At others you wish you hadn't. Today is the latter, because although I have so much work on, plus covering Big Sound Live tonight (more on that later), I felt pretty good about getting up early to have a long shower - until I cranked on the computer and found the following message from Aaron Turner, founder of Hydra Head Records.

"Hydra Head Records has never been a smooth-running operation. We've spent the majority of our existence excitedly scrambling from one thing to the next, taking on more than we could ever possibly hope to achieve, and never quite finding solid footing in the midst of our self-induced whirlwind of chaos. Though not every second of doing this label has been enjoyable, it has been a very rewarding and meaningful project for me, and I hope for many of the other lives to which it has been directly connected. The fact that it has lasted close to two decades at this point is astonishing, and much has changed during that time - the lives of those directly involved with running the label, the bands and artists we've worked with, and the nature of the music industry itself. Though many of these changes have been positive, or at least illuminating, the impact of our history and current industry circumstances are culminating into a slow and somewhat painful death for the label. It certainly isn't an entirely unforeseen event, but we didn't think it would come quite so abruptly, or (perhaps naively) ever.

The decision to pull the plug has not been an easy one, and in some ways is a not a choice at all. The simple fact of the matter is we've been running on empty for a while now and cannot afford to keep our doors open for much longer. Years of imbalance between creative ideals and financial realities, personal problems amongst the label operators, an unwillingness to compromise our aesthetic standards, a tendency towards releasing challenging (i.e. unmarketable) artists, and the steady decline of the music industry in general, are amongst the chief reasons for our inability to continue. It is a harsh but undeniable reality, and one which we are attempting to confront with as much integrity and grace as is afforded by the circumstances.

For the short term we will continue to operate as we have been, effecting our first step into shutdown this December, at which point we are cutting off new releases from the label. Thereafter, we will be remain operational only in the interest of maintaining our back catalog, with the ultimate aim of repaying our rather sizable debts. Grim though this prospect is, in the midst of it all I still feel an extreme gratitude for everything that has happened and for all the wonderful people with which we've been involved over the years. We've been lucky enough to work with some of the most unique and provocative artists of the last two decades, many of which have made indelible impressions in the underground, and by extension the larger world of music in general. We've also been fortunate to have had the support of a small but loyal following, who've constituted the very essence of our life force. We would like to take this opportunity to express our gratitude and love to each and every person who contributed to making this label what it is - all the artists who entrusted us as the custodians of their work, all the people that bought or listened to our releases, and all the people who performed the various label duties at various offices (and houses) across the continent.

...and this brings us to the present moment, where in all honesty we are in need of financial assistance from anyone and everyone who's willing to throw us a rope. Though it is highly unlikely we'll be able to resuscitate the label, we do wish to follow through on the final round of releases to which we're committed and pay off our debts to our artists and manufacturers. In order to do this we are initiating a massive sell-off of everything we can dig up and produce for the next 6-12 months. This will include discounted bundles of CDs/LPs/posters/etc, represses of certain titles for which we still have parts, test pressings, and whatever worthwhile items we can pull together. For anyone that is able and willing to fund our funereal arrangements please visit our direct mailorder or webstore and pick up whatever you can. Any and all support is greatly appreciated by our remaining team, and will be put to the best use possible.

There is no way to sum up nearly 20 years of incredibly important music, experiences, and evolution other than to say a big heart felt "thank you", and that we hope this closing will provide an opening into other even more positive and rewarding experiences for all of us and all of you who have been a part of our shared experience. For now we bid you all a very fond farewell...."


The LA-based Hydra Head label have been a brilliant and influential label for many noise and metal acts, finding and/or housing and/or supporting the likes of Jesu, Boris, Melvins, Big Business, Harvey Milk, Envy, Isis, Pelican, Oxbow, Torche, Prurient, The Austerity Program, Helms Alee and Old Man Gloom, just to name a few. This is mighty sad news indeed. Over the next 6 to 12 months, as stated above, they will be selling off all their wares, so make sure you get in there, buy some of the best shit out there and support Aaron and co. They will be sorely missed.

Monday, 28 February 2011

Pale Sketcher

There was a period in the latter stages of 2010 that it seemed like every second post here on Sonic Masala was about some musical project tied up with Justin K Broadrick, whether he was releasing stuff as Jesu (including a brilliant Christmas track), playing with Godflesh, touring, re-releasing past glories, producing and/or playing with smaller, up-and-coming acts...

Well, look that comfortable, reliable glove, Broadrick is back and it feels fantastic. This time it is as Pale Sketcher, which is essentially Jesu, but more electronically rendered. After Opiate Sun saw Jesu fusing guitar fury with digital glitches, Broadrick felt that he was steering away from what Jesu was essentially about. Pale Sketcher then feeds into the study of sound but with a different medium, with the first forays into the recorded form being remixes (most notably of Jesu' Pale Sketches album).

But now we have something that is exclusively a Pale Sketcher release. Seventh Heaven is an EP that mines both the sounds of the digital age and the ambient nuances that he explores in his current 'day job', creating something that is akin to UK fusionists Seefeel (who also brought a great album out this year, well worth checking out.) There is a real sense here that Broadrick is still in his infancy when working out a noise palette for this sonic collages, yet as he grows as a producer, the structures he will mold in this mode just may beggar belief.

Pale Sketcher - Seventh Heaven

Tuesday, 14 December 2010

We Jesu A Merry Christmas...

Well, it really is a Jesu love-in here on planet Sonic Masala - and the gifts keep rollin in! Jesu have released a track in time for Christmas - cryptically named 'Christmas' - and its typical epic Jesu, with some real meat on the bones. Imagine this at Carols By Candlelight - this festive playlist Im making this year is going to be goddamned eclectic...

The release has a couple awesome remixes on it too - definitely worth picking up! I wanted to keep a hold of this 'un to put into your Christmas stockings - but I just couldn't wait! Oh well, your present will have to be something even more special!

Friday, 10 December 2010

Jesu's Heart Aches From Beyond The Throne


We havent posted about a decent re-issue in a while and there have been many that we have missed - my fave of the last month being by Vulcan - but I couldn't let this one slide by. Jesu, the current project of Napalm Death/Godflesh god Justin K Broadrick, has carved its own niche in ambient post metal, which was a brave move considering the the dyed in the black fanbase Broadrick had developed in the decade previous, but has since elevated himself to the forefront of an exciting, experimental and surprisingly ethereal industrial, bludgeoning sound. It all started with 2004's Heart Ache, a two song EP that is as brutal as it is heart rending. Both 'Ruined' and the title track feels like a rusted mine shaft ride, both lasting 20 minutes, dipping up and down in the bowels of the earth, coalescing into a fluid journey through all of life's deepest emotions - and it proved that Broadrick is a consummate composer. This just should not work. But since Heart Ache, Jesu has spawned many likeminded individuals that are willing to entrance as much as enviscerate. The Godflesh influences are imminent, but we start to see some of the rough edges buffed away in the second half of this re-release, Dethroned. Tracks become shorter, the vocals a little more refined and to the fore. Still, these are rough compositions, and it is over the next six years that Jesu has honed its craft to become the truly unique beast that it is today. Yet, as far as a genesis goes, this is awe-inspiring stuff.

Heart Ache and Dethroned is out now on Hydra Head Records.

Monday, 8 November 2010

...And The Earth Swarmed With Long Titles...


One month after receiving this email from Hawk Moon Records (home to the likes of SM postees Good Weather For An Airstrike), I have finally gotten around to listening to Ted Parsons' (Jesu/Godflesh/ex-Swans) new project, ...And The Earth Swarmed With Them. The EP, titled - wait for it - The Fading Voice Of The Old Era Speaks To Us, But Where Are The Ears Left To Hear It? (deep breath after reading that one...), has been a year in the making after they did a split demo with Sleepless Dreams, and the pedigree on display here (Parsons is joining original members Mitchell Johns and Kat Stanbridge, with Mr Jesu/Godflesh/Napalm Death himself Justin K Broadrick twiddling the knobs in the studio) ensures that it is a quality effort. This is post rock that swings like a metronome from joyous celebration to the gnashing of anguished teeth and back again, the emotive rollercoaster painted in stark sonic colours a la the pastel cover art. Its an accomplished piece, and is well worth checking out. No word on future releases or tours for the minute, but in the meantime, the EP is another freebie that you can get from Hawk Moon Record's Bandcamp.

Tuesday, 19 October 2010

Jesu Rings The Seven Bells


Another great remix by Justin K Broadrick, otherwise known as Jesu (nowadays - he is, of course, a member of Godflesh, the seminal industrial band from Birmingham that pretty much singlehandedly crafted the industrial metal and post-metal genres. Jesu's focus has been more in the ambient side of industrial drone, thus creating beauty out of brutality. His albums continue to grow in stature, and despite the reformation of Godflesh and their appearance at next week's Supersonic Festival alongside Napalm Death and Swans, Jesu strives to tip the popularity of his famous forebear.

One added string to Jesu's bow has been his remix work - his new viewpoint on some of Explosions In The Sky's tracks was revelatory. And here he is again, lending a heavily textured hand to sonic psych poppers Schools of Seven Bells and their track 'Face To Face On High Places', from their latest album Alphinisms. Washing the track with harder synth, beats and guitar lines, somehow the final mix doesnt drag, rather it allows the track to ascend into another realm. You can find this track on the My Cabal EP.
Finally, Hydra Head Records are re-releasing Jesu' first EP Heart Ache along with some demo tracks as a 2 LP vinyl collection. We will keep you posted on that one.