Showing posts with label Good Weather For An Airstrike. Show all posts
Showing posts with label Good Weather For An Airstrike. Show all posts

Monday, 8 November 2010

...And The Earth Swarmed With Long Titles...


One month after receiving this email from Hawk Moon Records (home to the likes of SM postees Good Weather For An Airstrike), I have finally gotten around to listening to Ted Parsons' (Jesu/Godflesh/ex-Swans) new project, ...And The Earth Swarmed With Them. The EP, titled - wait for it - The Fading Voice Of The Old Era Speaks To Us, But Where Are The Ears Left To Hear It? (deep breath after reading that one...), has been a year in the making after they did a split demo with Sleepless Dreams, and the pedigree on display here (Parsons is joining original members Mitchell Johns and Kat Stanbridge, with Mr Jesu/Godflesh/Napalm Death himself Justin K Broadrick twiddling the knobs in the studio) ensures that it is a quality effort. This is post rock that swings like a metronome from joyous celebration to the gnashing of anguished teeth and back again, the emotive rollercoaster painted in stark sonic colours a la the pastel cover art. Its an accomplished piece, and is well worth checking out. No word on future releases or tours for the minute, but in the meantime, the EP is another freebie that you can get from Hawk Moon Record's Bandcamp.

Tuesday, 14 September 2010

Clear Skies, Bombs Fly


Whilst not enamoured with the name (despite being an English translation for an amazing Sigur Ros song), Good Weather For An Airstrike has wooed me with its sweeping cinematic take on post rock. Londoner Tom Honey has, in EP Signals, created a suite of achingly beautiful music that I can't help but think of a beautifully shot and heartbreaking indie Scandinavian film score. This is the kind of music that you put on, turn it up as loud as it goes, then close your eyes and let it wash over you. The sparse physicality of the strings in particular are what drives each song into another realm. Its reminiscent of the instrumental tracks on Sigur Ros' Heim in some areas (so the name is prevalent), and that is an amazing thing to achieve.

(NB - apparently GWFAA was born after Honey needed a way to overcome the effects of succumbing to a bout of tinnitus. A nice piece of trivia to go with this ethereal sound...)

Good Weather For An Airstrike - We Fall Back Into The Ocean