Showing posts with label Frankie Rose. Show all posts
Showing posts with label Frankie Rose. Show all posts

Tuesday, 14 June 2011

Male Bonding Make Their Bones


We couldn't sidle past a passed out prostitute in Dalston last year without hearing something from Male Bonding's debut LP Nothing Hurts, and it was deserved too - they were one of the best live acts doing the UK rounds in 2010, and the album itself was full of gritty yet fun garage rock gems. The first half of 2011 has been very quiet for the trio (not saying they were idle - collaborations with Frankie Rose and Rivers Cuomo (?) were put down...), but this is about to change with news that their sophomore effort Endless Now being prepped for release on August 30, once again through Sub Pop. Not resting on their laurels then, which is good. And they haven't wasted time giving us a taste either. 'Bones' is a longer number, but is fast, furious and quintessentially Male Bonding. Verdict - very very good, and a pleasant surprise!

Male Bonding - Bones

Saturday, 25 September 2010

Frankie Attempts To Rise Above...With A Lil Help From Her Outed Friends


I started writing a series of posts a few weeks back that were somewhat tarred with the angry rant brush. I felt I hadn't gone on a decent rant for some time, and my sniper sights were far-reaching. Paul managed to pull my head in, and whilst my temper still bubbles, I have put my energies elsewhere - like making curries. (I made a great jalfrezi from scratch, plus a yellow Thai curry which is making me salivate just thinking of it. A rant is good for the soul though, and one will be forthcoming in due course).

The first post 'that never was' was related to my pet peeve of the past year - well, one of, I have loads - which is the glut of girl or girl-fronted bands. Without sounding casually sexist, I feel that all of these acts reaching deep down to realise their inner MOR Shangri-La/Joan Jett amidst their tatted torsos and icy faux-disinterested stances but are strangling each other, and have been doing so ever since the Vivian Girls made their (admittedly good) take at it on their self-titled debut back in 2008. And whilst I feel that other suddenly 'in' genres of sound have suffered a similar overcrowding a la the parks on a sunny day in October, its the girls that have taken the biggest 'meh' pill. The Girls At Dawn, Dum Dum Girls, All Saints Day, Procedure Club, The Babies - I could go on - all have at least one or two great songs in them, but the overall package comes more like when you buy an expensive gift for a child and they only play with the box. It just comes away all superfluous, hollow, and lazy.

But there is always a silver lining. Paul has championed Grass Widow in the past, and soon we will witness them live to see if they live up to their LP Past Time's promise - but we also have Frankie Rose. Frankie Rose and the Outs, to be fully honest. Now Frankie Rose is not exempt from the tarred brush of her own genre either, being as she is the past skinsmith of bands such as Vivian Girls, Crystal Stilts and Dum Dum Girls. However it appears that she may have learnt from her past digressions (and once again Im looking at you, Dum Dum Girls...) Whilst the distinctive attractive indie looks are very much in evidence, Frankie and her Outs dont rest on their fashion sense and record collection, instead infusing a good sense of humour and humility into tracks such as the pop gem 'Candy' and the darker buzz of 'Little Brown Haired Girls'.

The debut self-titled LP is out through Slumberland Records, and it will be interesting to see if the rest of the album lives up to the samples we have gotten so far. And whilst I must admit that much of this sound is at the least passable on record - Dum Dum Girls' I Will Be denotes a level of cool attitude that doesnt translate in the live arena - Im holding high hopes for Frankie Rose, that she may prove to be a shining light to her sisters-in-arms. After all, if Best Coast can sugarcoat the garage pop to an inch of its life then sprinkle it with shavings of marijuana, and the Raveonettes can swing like a pendulum from dark noir pop to sunny Pretty-In-Pink soda pop with cool abandon, why cant this genre find more women able to get out of their hipster hovels and brand their own individuality on their musical tropes?

Friday, 17 September 2010

New Crystal Stilts Shakes the Shackles and Plugs It Up


I wouldnt have posted about this - many others have already - but its prevalent to a previous post, and its awesome to boot, so...deal with it.

Another conversation I had on the weekend at the glorious balcony BBQ we had (see Dungen's post for enlightenment), was on the current trend of bands to play that fuzzy, scuzzy dreamy summer pop thing. My opinion was that the bands to encapsulate that sound first may have ignited the craze, but as months have gone by other bands have come out that either diminish the sound (and to be honest, I think that includes most of the genre) or usurped them in their competency. I threw out the two Crystals - Antlers and Stilts. However I was shouted down about Crystal Stilts, that their sound was still distinctively loud and dirty, and that I should give them another chance (there was no such outcry for the Antlers though - sorry...)

And would you know it, but then Crystal Stilts bring out some new tunes, like Carrie's hand pushing through the freshly turned earth of her grave (that I had admittedly dug that night) and grabbing my ankle, reminding me that they will never go away... 'Shake The Shackles' will be available through Slumberland Records in October, so you still have a month to have the hard copy. Nevertheless, here it is, and I am eating humble pie. It is true swampy drone rock, and has me salivating at the thought of a follow up to the stellar Alight of Night, (and proving that they aren't missing Frankie Rose...but thats another story...).

Yep, Im sucking it up, big time.

Shake the Shackles by Crystal Stilts

Magnetic Moon by Crystal Stilts