Showing posts with label Bill Callahan. Show all posts
Showing posts with label Bill Callahan. Show all posts

Wednesday, 20 March 2013

PREMIERE - Matt from Holopaw's Ann Pragg Prep Debut


I'm sure there are any number of blogs and media outlets plugging this, but I'm going with what I've been told. This is a fresh-as sneak peek at Matt Radick of Holopaw's debut album. Going under the moniker Ann Pragg, Bitter Fruit (coming out through Wonderland Archives in early May) promises to bury deep in the waters of the best melancholic folk dreamers - Nick Drake, Bill Callahan, Will Oldham, Justin Vernon. Buried deep in the Everglades, this Floridian promises to provide what these other masters muster up - the ability to make the maudlin and haunting sound ebullient and pregnant with hope. The whisper of synths and crunch of guitar also promises to darken the corners further, a richness that grows bolder with each listen. And with the sad passing of Jason Molina that still has me reeling, I'm finding myself inexorably drawn to these realms, in the hope that we have another master in the making here.

Ann Pragg - Demolition Dust

Friday, 10 February 2012

Recreating A Papier Tigre


French outfit Papier Tigre (pronounced “Papyeah Teegrr”)'s third album Recreation (out on Africantape) has an element of surprise to it. The band teamed up with John Congleton (Explosions in the Sky, the Roots, Bill Callahan, The pAper chAse...) in order to push the limits of their their unit into a devastatingly efficient performance. It is intriguing, and although the vocals grate on me a little, the musical interplay offers some fervent schizophrenia that I like a lot - plus the lack of a bass means they have to work harder to achieve that bottom-end. They just supported Explosions In The Sky in Paris last month, so things are certainly on the up and up.

Recreation is out March 1.

Papier Tigre 'Home Truth' by Murailles Music

Thursday, 7 April 2011

The Skeleton Dead Are Rising

I got this lovely email about a small folk noir act called The Skeleton Dead the other day. I listened to six or so tracks and was bewitched by the subtle darkness emanating from both the rich vocals and the lush yet sparse instrumentation. The duo Tom and Claire seem really lovely, so I spoke to Tom about how the duo met and came to be.

"We're two people based in London - although the heart of The Skeleton Dead lies somewhere along the coast of the Solway Firth deep in the industrial north west of England. I grew up in West Cumberland, which I imagine is why I have a bit of a fixation with knackered old industrial towns. "Claire grew up in Enfield in north London and then went to Trinity College of music to study classical guitar. We’ve both known each other for a fair few years though - we’ve a lot of the same friends in London so have always ended up talking about music when we’ve seen each other in the pub or at house parties. It was a mate's old people themed birthday last year when I suggested doing some recording together dressed in flat cap, Val Doonican cardigan and massive grey moustache - when approached by a man in such attire she had little option but to agree!"

Tom had been playing on his own up to this point, but felt that there was something missing. "I’d been playing the odd gig and writing music for ages but had just started writing a new collection of songs and thought Claire could bring a lot to them. She’d been rocking out in The Suffrajets and The Krak over the past few years but I knew she had a subtler side - working on the Skeleton Dead has given her the chance to break out the old nylon string guitar and get classical."

Playing and recording in both Tom's spare room and Claire's basement in Highbury, the songs that have eventuated from this pairing are touted as being about "classic themes of love, seafaring and finding porn hidden in the woods," and are being primed for a record later this year (tentative title being Nethertown). "(The songs') influences come in the form of Bill Callahan, Leonard Cohen, Steven Patrick Morrissey, guitars with nylon strings and anything that includes an ethereal, reverb-soaked harmony or two. It’s been a pretty natural process thus far. The songs have almost written themselves which has been really refreshing - hopefully that’s a trend that’s going to continue."

As for 2011, Tom is taking it all in his stride. "As for hopes and dreams, for now we'll just be content to record an album that we're happy with and get it out into the world then we'll see what happens. Touring with Morrissey would probably be my own ultimate ambition. In the meantime though I'll settle for playing some festival slots this summer."The Skeleton Dead are playing at Catch in Shoreditch on Tuesday April 12th, alongside Kiss The Dirt, Tom and the Tides and The Visionaries, for a fiver. Get along for a lovely night - they get on at 9pm.

The Skeleton Dead - Gather Up Your Clothes
The Skeleton Dead - A Nautical Theme

Thursday, 18 March 2010

Some Pivot remixes for you...


Pivot are one of my favourite Australian acts out there at the moment. They are good friends with my best mate's brother (who was their photographer back in their Sydney days), and they have relocated to London (along with another amazingly unique Aussie outfit, Snowman), and they are amazingly affable chaps that are brilliant at what they do - tight, atmospheric, damn catchy indie electronica rock.

Furthermore, Pivot - Pike brothers, guitar guru Richard and drumming demon Laurence, and electronomaniac and all round nice guy Dave Millar - are currently putting the final touches on their 3rd LP, following up the out-of-nowhere explosively impressive Make Me Love You and the assured brilliance of follow-up O Soundtrack My Heart.

Laurence will also feature on a Bill Callahan live CD where he took over drumming tour duties.

They are truly special - their gig at Hoxton Bar and Grill in May last year was a ephemeral sweatbox of writhing limbs - and will be touring again soonish. They are currently doing SXSW (arent they all?) plus scoring support slots for the likes of Morning Teleportation, Nice Nice, You Say Party! We Say Die!, and the impressive Quasi. They need to be heard (and seen) to be believed.

I will do an album retrospective of them soon (I am that keen for people to start listening to them...), but for now here are two remixes the boys have laid down in the past few months. The first was done for Warp Records 20th anniversary, a reimagining of Grizzly Bear's 'Colorado' off their Yellow House record. The 2nd is an example of probably the ONLY time you will see the Temper Trap mentioned on our blog. Not that they are deplorable - not just my cup of tea. Pivot makes them palatable here though - especially around the 2 and a 1/2 minute mark - quintessential Pivot. More to come!!!!!

Grizzly Bear - Colorado (Pivot remix)

Temper Trap - Fader (Pivot remix)