Sydney basement dreamers Shrapnel have released Carpet Yankers, a cool cat cassette from Sam Wilkinson (Day Ravies, Mope City, King Tears Mortuary etc etc, out through his Strange Pursuits label). Shrapnel is Wilkinson letting fly, embracing his inner Bob Pollard, Stephen Malkmus, Jason Lowenstein and Calvin Johnson. From the frayed slacker bilge of chugging opener 'Chicken Fantasy', to the Sebadoh-meets-wasted Lennon in Erskineville warp of 'Floss The Boss' and the Doug Martsch fronting Superchunk in a tin can of 'Face On The Desk' - there are a lot of cantankerous, haphazard, blistering in the shade rock on offer. But there is as much time for cracked reflection, as is heard on the thin synth and crackling vocals wasting away on the title track, or the nascent acoustic dement-folk of 'Procrastinate/Disintegrate'. By eschewing the warm wall of sound of Day Ravies and the lo-fi (S)andpit growl of Mope City, Shrapnel is an experiment in freefall thoughts, allowing everything to ferment and take root, no matter how weird and wild. My favourite tracks (for the moment, the mood shifts like a serpent in the sludge) is the wonky, anaesthetised rock with added Beatle riff 'Duty To Do' and the Breeders cruise closer 'Stewing With You'. Yeah, there are a shedload of references rolled out today, but when listening to Carpet Yankers that is what it feels like - a carefree, bloody talented performer playing with the hits - and winning. Grab it here.
Showing posts with label Shrapnel. Show all posts
Showing posts with label Shrapnel. Show all posts
Friday, 18 December 2015
Carpet Shrapnel Yanked From Sam's Brain
Sydney basement dreamers Shrapnel have released Carpet Yankers, a cool cat cassette from Sam Wilkinson (Day Ravies, Mope City, King Tears Mortuary etc etc, out through his Strange Pursuits label). Shrapnel is Wilkinson letting fly, embracing his inner Bob Pollard, Stephen Malkmus, Jason Lowenstein and Calvin Johnson. From the frayed slacker bilge of chugging opener 'Chicken Fantasy', to the Sebadoh-meets-wasted Lennon in Erskineville warp of 'Floss The Boss' and the Doug Martsch fronting Superchunk in a tin can of 'Face On The Desk' - there are a lot of cantankerous, haphazard, blistering in the shade rock on offer. But there is as much time for cracked reflection, as is heard on the thin synth and crackling vocals wasting away on the title track, or the nascent acoustic dement-folk of 'Procrastinate/Disintegrate'. By eschewing the warm wall of sound of Day Ravies and the lo-fi (S)andpit growl of Mope City, Shrapnel is an experiment in freefall thoughts, allowing everything to ferment and take root, no matter how weird and wild. My favourite tracks (for the moment, the mood shifts like a serpent in the sludge) is the wonky, anaesthetised rock with added Beatle riff 'Duty To Do' and the Breeders cruise closer 'Stewing With You'. Yeah, there are a shedload of references rolled out today, but when listening to Carpet Yankers that is what it feels like - a carefree, bloody talented performer playing with the hits - and winning. Grab it here.
Wednesday, 14 January 2015
Moping & Courting In A Halfway House In The City
Brisbane short-form DIY label Tenth Court keeps punching well above its weight. New 7" cab off the rank is Halfway House, the new EP from Sydney's Mope City, a band that has no right being this good when members are already stretched thin with excellent bands such as Day Ravies, King Tears Mortuary, Shrapnel and Snotty Babies. The three tracks on display latch onto a restless urgency that writhes underneath the glistening jangle and sonorous harmonies, intimating a more desperate Go Betweens (the title track), or a moribund, self-flagellating Swirlies ('Blunt Razor'). It's such a great bite-size release - when is the album coming out guys? Seriously?!
Grab Halfway House here.
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