Showing posts with label Faceplant. Show all posts
Showing posts with label Faceplant. Show all posts

Monday, 5 November 2012

Come On Down To Expo 70, And Have Yourself A Time

It’s never long before Missouri drone tech god Justin Wright AKA Expo 70 has a new release out – and if you hide under a rock for a few months you end up drowning in them. So it seems here at Sonic Masala, as there are THREE releases of the last half of the year that have come out, all of them varying degrees of awesome.

 
Let’s start with the album, Beguiled Entropy (out through Blackest Rainbow). My pick of the bunch, these five track perfectly encapsulating the different sonic currents Wright tends to traverse, extrapolate and wrap in on itself, and as such is a true genre definer. From the aqueous drift and bleeps of ‘Mark of the Rising Mantis’, the soaring space spectre of ‘Luminous Traveler’ and the apocryphal drone of ‘Sunseekers (Out Of Diminished Light)' to the flipside and the warped odyssey of ‘Backmasking Deeper Than Darkness’ coming on like an aural 70s mindfuck film score – headphone orgasm alert – and the throbbing crawler ‘Pulsing Rings Of Ice’. It’s always hard to properly describe a good analogue drone record from the repetitive or the dreck – the line is infinitesimal, its all in the nuance of the atmospherics – yet Wright nary puts a foot wrong here.

Expo 70 – Luminous Traveller


Then there is this split LP the Missouri multi-instrumentalist did with NY avant-savant Ancient Ocean (AKA John Bohannon of Electric Temple Records) through Sound of Cobra (in collaboration with NO=FI Records). Expo 70’s contribution is the 21 minute ‘Waves In Caverns of Air’, which eschews the guitar for more effects driven glacial Moog drone. The planet Hoth reimagined by Stanley Kubrick. (Ancient Ocean’s track is damned rad too).

Expo 70 – Waves In Caverns Of Air


Finally there is this enormous four way split double LP put out through Immune Recordings that sees Expo 70 sparring with Portland’s cosmic synth paean Pulse Emitter, Oakland’s hazy space provocateurs Date Palms and Peaking Lights' Aaron Coyes' sunblissed offshoot Faceplant. Here Wright goes into more of a stoner riff mantra, and it proves to be a fun killer counterpoint. Wright is joined with a rhythm section which he has been touring with for the majority of this year, and it’s a dark yet electric combination. Seeing as I'm a real sucker for these kind of jams, I love this direction almost as much as Beguiled Entropy.

Expo 70 - Closet Full Of Candles

Grab these titles stat - Wright can do no wrong.

Thursday, 21 July 2011

Never Bathetic


After the King Dude release earlier this year, I thought that Bathetic Records had hit their 2011 peak. And in my opinion this idea still stands - but these two releases are mighty tasty...


Bitchin Bajas (the solo synthscapes of Cooper Crain - true analog zone outs) & Faceplant (Mr Aaron Coyes to his folks, or maybe more Peaking Lights to you?) come together in a alarmingly seductive menagerie of drone-pop. Its organ splurges, TRONic spazzouts and kraut coughs and splutters. This shouldn't really be enough to pack a dancefloor - but one drop of this and you'll be packed in like sardines. The vinyl is limited to 600, and if you get it now you'll get a free 7" of your choice! Isn't that the best, around?


But as if Bathetic would leave it like that! After putting the highly admires Pink Priest to bed, its progenitor William Cody Watson has decided to step out under his parentally-adorned moniker, and the result is this cassette, Her Tusk Was Adorned With Rose Petals, which furthers his musical layering of dreamy ambiance and droning minimalism. Feeling like Im caught in the backstreets of the city, dull streetlights guiding my way, when the world starts to slip off its axis...And with the closing song being called 'I Can't Listen To My Bloody Valentine Without Thinking Of Scarlett Johansson' did enough to tip me into the parallel worlds or bewilderment and elation. There are only 100 copies of this, 10 of which include a handwritten unique poem from Watson, corresponding to an individual song title from the release. These 10 copies are hand-numbered & come in 7" x 5 1/4" PVC cases with custom artwork. These are first come, first serve. HELL YEAH!

Bitchin Bajas - Consciousness 1 (excerpt)
Faceplant - Ride The Ether (excerpt)

William Cody Watson - Retractable Claws