I didn't even know that ex-Aussie Tim Evans' band Degreaser were still an active thing. I bought their first two albums, Bottom Feeder and Sweaty Hands, not that long ago, and those are two slices of fevered nastiness, unfettered, unrelenting, unrepentant. They also scream of a band born to implode. You can't tame such fetid beasts, and new record Rougher Squalor (out on Ever/Never Records) still attains some of the rust and grime of those awfully awesome releases. But it is clear on LP #3 that the trio want to fuse their dissonant elements into one awed, cellular whole, and in so doing have carved out a squalling psych behemoth where the trip is long and real yet the songs retain brevity and bite (not one of the eleven tracks breach four minutes). It's like someone herded Bo Ningen, White Hills, Straightjacket Nation and Coloured Balls into a holding pen then eviscerated the lot of them, scooped up the guts and sinew and molded them into the band we hear vomiting forth from the speakers. It's all in the wailing wah-riddled guitar, ripping the ozone apart fibre by fibre. There is still moments of Bird Blobs chicanery in the morbid monotone delivery of 'Do Me In', but mostly Rougher Squalor is all about cutting loose and steering straight for the eye of the sun, dragging us all kicking and screaming along with them. Fantastic stuff.
Showing posts with label Bo Ningen. Show all posts
Showing posts with label Bo Ningen. Show all posts
Tuesday, 1 July 2014
Squalid Degreaser
I didn't even know that ex-Aussie Tim Evans' band Degreaser were still an active thing. I bought their first two albums, Bottom Feeder and Sweaty Hands, not that long ago, and those are two slices of fevered nastiness, unfettered, unrelenting, unrepentant. They also scream of a band born to implode. You can't tame such fetid beasts, and new record Rougher Squalor (out on Ever/Never Records) still attains some of the rust and grime of those awfully awesome releases. But it is clear on LP #3 that the trio want to fuse their dissonant elements into one awed, cellular whole, and in so doing have carved out a squalling psych behemoth where the trip is long and real yet the songs retain brevity and bite (not one of the eleven tracks breach four minutes). It's like someone herded Bo Ningen, White Hills, Straightjacket Nation and Coloured Balls into a holding pen then eviscerated the lot of them, scooped up the guts and sinew and molded them into the band we hear vomiting forth from the speakers. It's all in the wailing wah-riddled guitar, ripping the ozone apart fibre by fibre. There is still moments of Bird Blobs chicanery in the morbid monotone delivery of 'Do Me In', but mostly Rougher Squalor is all about cutting loose and steering straight for the eye of the sun, dragging us all kicking and screaming along with them. Fantastic stuff.
Thursday, 19 June 2014
Video Vacuum - Step-Panther, Spoon, Bo Ningen, Gum Takes Tooth
It's been a while since we dived headlong into the moving image here, so let's go for it! First cab off the rank is Sydney's snots Step-Panther and their great new track 'Nowhere'. Animation at its most simplistic, devilish and stupid - my kind of fun.
Spoon are back! I must admit that I have a soft spot for these guys - Kill The Moonlight is still one of my favourite albums of the last decade. The band have rushed this little clip up of new song 'Rent I Pay' on the interwebz - not sure why it's "unofficial", it's a pretty straightforward affair, all shadows of Britt Daniel performing, but I don't care - it's just good to have the boys back.
Spoon are back! I must admit that I have a soft spot for these guys - Kill The Moonlight is still one of my favourite albums of the last decade. The band have rushed this little clip up of new song 'Rent I Pay' on the interwebz - not sure why it's "unofficial", it's a pretty straightforward affair, all shadows of Britt Daniel performing, but I don't care - it's just good to have the boys back.
London-via-Japan psych acid rockers Bo Ningen have a third place to call home - namely Australia, what with good friends Black Night Crash Records signing the guys up for their distro over here. And it's great to see things haven't gotten any saner with the band - the time they melted my face off at 100 Club in London in 2009 will not remain a distant memory. The film clip by Marie Schuller is incredible, let's go lose our minds.
And whilst still in the land of the United Kingdom, the land I started this fine blog in and (spoiler alert!) the land I will be returning to shortly, I thought we would look in at another band I remember fondly - Gum Takes Tooth. Here is an experimental live recording they did with Jaxson Payne - not as straight up deconstructed punk, but aberrant noise philandering nonsense nonetheless - so of course I think it is great. I'm off to see some bands in a Bearded Lady - enjoy...
Wednesday, 29 January 2014
Line Bo Ningen Against The Wall...
I was supposed to have interviewed London-based Japanese acid psychers Bo Ningen last week, but due to unforeseen circumstances I missed the boat. Which is a shame, as new record Line The Wall is as wailtastic as you could possibly imagine. Brought out by Stolen Recordings and newly-minted Aussie label Black Night Crash Records (run by one third of awesome Melbourne band Iowa, no less), Bo Ningen's second LP is a face-melter. There are moments when I feel like I'm listening to At The Drive-In mechanics driving The Mars Volta flights of fetid fantasy - single 'Henkan' truly embodies such celestial clusterfucks of flailing sonic frisson. There are moments where the four-piece take things into a more chugging, 70s psych mode - 'Daikaisei Part I' is the perfect encapsulation of that, at least in the beginning - further into the album and Parts II and III strap you to the fuselage of a ship destined for a distant sun. The repetitive squall of '32 Kaiten' on the other hand will always get my pulse racing...
I've seen these guys a few times when I lived in London. Once in the 100 Club - I think they supported Pulled Apart By Horses? They blew everything to smithereens every time, and they do so again here with Line The Wall - buy it here. They are playing Big Day Out right now, and they are going to play Primavera Sound (alongside the most excellent Courtney Barnett, an incredible coup for her!) in May. This hallucigenic mind melt is only getting started...
Thursday, 4 November 2010
Snap, Crackle, and Purling Hiss

I know that Philly's Purling Hiss has just released an EP that I am yet to listen to, or the Woodsist newie Public Service Announcement, and that PH mastermind Mike Pollize is in another band, Birds of Maya, that is his apparent 'day job' - and yup, havent heard them either. Which makes me a bit of a bastardero. But whilst Im endeavouring to brush up on these three factors, Im going to introduce you to this self-titled debut LP. Purling Hiss is fuzzy, indulgent, ambling, incredibly loud and unrepetent. Think of recent SM postees Bo Ningen and their ilk - that Japanese psych that curls in and out of itself, and is so insanely fucked up that you cant explain why you like it, you just do. Then mate that with the dissonant sleaze scuzz of Puffy Areolas...oh yeah...
It comes from the bosom of the jam, and refuses to leave. Hang on a minute, it does - middle tracks 'White Machine Noise' and 'DUI' are less than a minute bites of mangled noise - but the album is bookended with such ridiculous hyperbolic sojourns into rainbow noise that they are more a 'blink and you'll miss it' break up to the rest of the album's trip.
Purling Hiss is out now through Permanent Records - if you can still get a copy. If not, Hissteria is out on Richie Records (who have also had Kurt Vile in their midst), whilst start saving for the Woodsist debut Public Service Announcement.
Thursday, 7 October 2010
Bo Ningen all over self titled
Sometimes you get the feeling that its really about time you posted about a band. It really is about time we posted about Bo Ningen. Brendan posted about Chicken Hawk earlier this week when they supported Bo Ningen and Pulled Apart By Horses a few months back at the 100 Club. The words "blown away" were used and they couldn't be more accurate. I think I've seen Bo Ningen live three or four times and they always make an impression, a mass of screaming riffs and flailing long black hair. Be it the confines of the 100 Club basement or climbing to the top (literally) of the main stage at this year's Offset.
But why have I failed to post about Bo Ningen's brand of glorious Japanese progressive, psychedelic punk before? Maybe its because I've only seen Bo Ningen play their twisted, raging noise rock as a support role to other bands? With the reputation Bo Ningen have worked hard to achieve the Japanese four piece have kept very good company, Pulled Apart By Horses and Nisennenmondai spring to mind. Maybe its because the band's last release was 10" Koroshital Kimochi that dropped this time last year. It seems Bo Ningen have been, for those in the know, their own insanely loud dark little secret. Whatever the reason, I suspect thats about to change. Bo Ningen's self titled L.P drops on Stolen Recordings early next month. I suspect things wont ever be the same again.
Bo Ningen - Koroshitai Kimochi
Bo Ningen- Koroshitai Kimochi from Stolen Recordings on Vimeo.
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