What Would Hot Palms Do?

I've been digging the new stuff from freshly-squeezed Melbourne collective Hot Palms. J.C. (out through Why Don't You Believe Me? Records, who have also put out gear from Lehmann B Smith and Velcro in the past) is the new EP, featuring three musical adaptions of poems by Jake Core (from his book Expecting to be Loved for Nothing), with Alec Marshall responsible for the instrumentals, playing and recording it all with Emma Russack writing and performing vocal duties and Jordan Ireland (The Middle East) on back-up. This novel approach is augmented by the band's fluctuating membership - much like England's Action Beat or Brisbane's Secret Birds, shows have been anywhere from a duo right up to the full eleven-person-deep rollout, with variants of this done based on who is available when.

J.C. itself plays like a strung-out mirage, skewed and medicated - Picnic At Hanging Rock with goon bags and paint huffers. 'Sunday In Milan' is a masterclass in subtle eeriness; 'Adelaide' lurks in the corners, a wraith in gossamer synth and gauze; 'Benny and the Jets' a wasted dream that wakes you in an acrid sweat, fearful, yet afraid that you will never fall back into it no matter who long you sleep. The ethereal wafts over everything...

You can buy J.C. in CD-R or digital form from here. Hot Palms aren't likely to play many shows in the near future as they hunker down to write and record a new 7" and hopefully an LP. 2013 is looking like a blistering year.


Normally I'd have a Friday Cover Up here, but in lieu of that, let's use a track off the EP that is named after a famous song. Not a cover, I'm assured. Hmmm...well, Beastie Boys had that covered ages ago anyway. This song is just so damn rad. Enjoy.

Hot Palms - Benny And The Jets

Vale The Middle East

Incredibly sad news a few weeks ago when Townsville, Queensland collective The Middle East called it a day in the middle of what would be their last performance together on the stage at Splendour In The Grass. I happened to be at that show, and the performance had more vigour in it than their usual efforts, like it was a funereal dirge, or a purging. The band never intended to be this big - they had broken up before in 2008, reforming for a couple of performances only for their EP The Recordings Of The Middle East - in particular the track 'Blood' - to explode, pushing them on major bills both here and abroad. They had the world at their feet after releasing their debut LP I Want That You Are Always Happy only a handful of months ago (that title could have been quite deliberate to the circumstances...). Maybe we will see some of these guys in a different guise in the near future. On a posthumous note, the album won best album at last week's 2011 Queensland Music Awards (pipping SM fave Nova Scotia, I might add), and 'Blood' is in the new Steve Carrell film Crazy Stupid Love, so kudos to them. Still...sad to see you go.

Grab I Want That You Are Always Happy here.

The Middle East - Jesus Came To My Birthday Party
The Middle East - As I Go To See Janey

Bringing Back The Love

Wowee Zowee peeps! Sorry about the downlay in musical mayhem here at Planet Masala - its been quiet here due to the ridiculousness in the "real world" (AKA I accidentally maxed out the home Internet fund - sorry Luke and Sal...) Plus searching for work, getting work, getting more work, getting heaps of work, and uni has meant that I was on the cusp of believing I had too many fingers in too many pies. But if there's anything that those cinematic genuises behind American Pie taught me anything - and they taught me a LOT - its that you can NEVER have too many fingers into too many pies - you just combine it all in an orgiastic piefest (I think - maybe if I had caught the fourth and fifth sequels Id understand more...)

SO I am rorting the university by using their sizable Internet access to keep the SM dream alive. And as this has been some time in coming, here are a few tracks for you to sink your teeth into.

First up there is The Raveonettes, whose Sharin Foo is still hands down the hottest woman in rock. It helps that their first EP Whip It On is one of my all time favourite releases EVER. Really. Anyway, their fifth album Raven In The Grave comes out next month on Vice, and if this is anything to go by its going to be another hit, especially after hearing what other member of the due Sune Rose Wagner thought of its genesis:

"I think we have finally hit on something quite important and different for this album. This is the first Raveonettes album we've done which doesn't feature the signature Raveonettes surf drumbeat. None of the tunes have any real sunshine to them. It's all very un-Rave. It has a mood of ethereal defiance. It's dark but not bleak, like the single minded determination caused by crisis that is not quite hope but just as powerful. It's the perfect winter soundtrack just in time for spring."

The Raveonettes - Forget That You're Young

White Denim are another band with a hotly anticipated album in the wings. Gorilla Vs Bear have named them the best band at SXSW for the fourth consecutive year - a bit of love there mayhaps??? We've already sampled 'Drug' from D here - now try "Anvil Everything"!

White Denim - Anvil Everything

One of my favourite finds of last year was Tampa nutjobs Merchandise, whose dark distorted pop has entranced me for some time (check out my thoughts on last year's (Strange Songs) In The Dark LP here). They have just released a 7" on Katorga Records, Schoolyard b/w Graveyard, showcasing an amazing remix of the A-Side which has me even more sweat-lathered. These guys know how to weave a warped rhythm, and with the beats interlaid here they have a bona fide club hit - from the guys responsible for Cult Ritual? Anything's possible...

Merchandise - Schoolyard (Club Mix)

A band doing amazing things this side of the Equator is The Middle East. The Townsville, Queensland quintet have a cultivated, lush ambient folk sound with the slightest tinge of darkness, and its been going down a treat globally. They are releasing I Want That You Are Always Happy on Spunk Records April 8th, and "Black Death 1349" is off it. (Can you tell this was recorded at Midlake's Denton, Texas studios? Nah, me neither...)

The Middle East - Black Death 1349

Darlings are a NYC garage pop band whose song "Spit It Out" off EP Warma (out now on Famous Class Records) has been on incessant replay since the SM downtime, so was pretty much a sure thing to be on this lil playlist. Its decidedly heads in the cloud whimsy crossed with Pixies nerd punk, which has helped get me across the line on a few days this past fortnight.

Darlings - Spit It Out

"Zeppole Ben" is off Hello, Nice Evening. We Are The Everymen, an EP by The Everymen (weirdly enough). Its two and a bit minutes that reminded me of why Rocket From The Crypt were great. The rest of the 7" is radness - lots of different genres (with help from Kurt Vile no less!) all infused with cigarettes, sweat and more than a few regrets, readily forgotten...but I like it most when Sarin McHugh is shredding his vocals to next to nothing Buy it here.

The Everymen - Zeppole Ben

Last on the comeback playlist is a band that many have been biting their nails to the quick in anticipation for, Crystal Stilts. Their Alight Of Night was at the very crest of the lo-fi, scuzzy as fuck euphoria of DIY noise pop shenanigans. Now we get to see if the lightning can strike twice, as In Love With Oblivion comes down out of the sky April 12th. Its a Slumberland release, so that will tell you a lot with what to expect... Also, here is the admittedly perfunctory video to accompany the song "Through The Floor"... (Also the Brooklyn band are playing Cargo in London March 30th - although it appears to be sold out!)

Crystal Stilts - Through The Floor

Crystal Stilts "Through The Floor" from Slumberland Records on Vimeo

Welcome back...welcome back, welcome back, welcome back...

Answer to peace comes from the Middle East - of Queensland...

Townsville, a town on the north coast of Queensland, Australia, isnt known for its prolific and trailblazing music scene. Rugby league, rodeos, monsoonal weather. Not a lot to hope for, right?

Out of nowhere a little band is doing its darnedest to change all that. The Middle East are a seven piece who are rapidly storming across the world, making waves everywhere they go (especially at South By Southwest where they garnered glowing reviews and a few celebrity listeners, allegedly including one very bemused Bill Murray). They have elements of fellow Aussies Art of Fighting in their vocal harmonies and spectral soaring guitarwork, but in tracks like Lonely the shadows of other well-known collectives such as Broken Social Scene shine through. It is the surprising beauty inherent in every second of their tracks that dislodges you from your cynical ways, beguiles you with its ethereal harmonics and finally bolsters your hope that all is not lost.

I had heard of the band through snippets of info, but it wasnt until my mate Andy played me a track that I cottoned on to the hullabaloo. Their recordings have been on high rotation ever since.

Their first album, The Recordings of the Middle East, has been going great guns since its re-release late last year in its home country, and should be pushing more than a few units when it gains international release in the very near future. Until then, unless you decide to order it in (which I strongly suggest), here is a sample of a track from their self titled EP from earlier last year (which is really an abridged version of their album anyway).

The Middle East - Blood

You had me at Bill Murray.