Parting Thunder On The Air Waves

As you may well know, I am a massive Lower Dens fan. Just about anything that Jana Hunter puts her name too, I'm there. So of course I jumped all over Parting Glances, the new album from New York's Air Waves AKA Nicole Schneit. The album is Schneit, her band and a bunch of friends, including members of Hospitality, Crystal Stilts, Woods and more - but it was Hunter's collaborations that were the drawcard for me. 'Thunder' in particular is a real killer - Hunter's burbling metronomic guitar lines evoking the best of Lower Dens' insidious psych meanderings, while Schneit croons about about the danger of addictive personalities (I think?) - it's the darkest song on the album, and for me by far the best. 'Horse Race' is more upbeat, albeit by a smudge, what with the piano and the warm hum as the hunt for a man in a fast Cadillac rolls on. But listen to Parting Glances and these additional musicians become less and less noticeable, blending effortlessly into Schneit's dusky guitar pop world. That long-car, fleeting-light mentality that permeates 'Horse Race' is held aloft throughout - I felt like I was listening to Heart or The Cars in a 21st century self-aware bathysphere, taking on lyricism and melody that is both rustic and heartfelt, gleefully sonorous and yet filled with chagrin. Other favourites include the wistful 'Fantasy', the slow burn 'Milky Way' and the charged, countrified squall of 'Sweet Talk'. Above all, Parting Glances is a great record. Grab it here.

Broncho's Hip To Be A Woman

Oakland outfit Broncho have just released their new album Just Enough Hip To Be Woman, and it’s eleven slices of slightly-reverbed, massively-addictive guitar rock in the self-effacing, humorous, garage-tinged vein. The staccato delivery of ‘Class Historian’ is instant hookworm material, that also bares some resemblances to The Cars (I goddamn love The Cars). ‘Deena’ stretches further back, taking carbon copies of 60s surf rock and dropping it into the hyperdrive of 80s synthesised synapse-eroding rock. 'Stay Loose' could be a Joan Jett cover done by Unknown Mortal Orchestra at half speed. ‘Taj Mahal’ is a young Finn brothers cast-off. Its this pastiche of rock evolution that permeates Broncho’s song deconstructions that makes their songs both imminently likable and eerily recognisable. It is so indebted to past “glories” at times that a clear personality becomes opaque – as much as I dig ‘Stop Tricking’ and especially ‘Taj Mahal’, I can’t shake the comparisons off. It’s funny then that the last three songs are so intent on blowing the speakers, the groove and growl suddenly at the forefront when most other bands would top-load these tracks. ‘Kurt’, ‘China’ and ‘It’s On’ blast forth with a newfound grit, set in sepia and leather – it’s here, as in the giddiness of ‘Class Historian’, that Broncho become a combustible beast in their own right. A strange ride, then, yet it’s hard to resist their charms.





Just Enough Hip To Be Woman is out soon on Dine Alone Records - buy it here.

Friday Cover Up - Double Lives Crumble In One Fell Swoop

Because I missed last week, here are two excellent covers to round out a full on week. First we have this dark and morose cover of The Cars' 'Double Life' by typically dark and morose LA heathens Cold Showers. It features the Vivian Girls' Katy Goodman lurking in the background, and can be found on the Decay 7" out now through Art Fag - buy it here.

Cold Showers - Double Life (The Cars cover)

Sarah Chadwick has stepped away from Batrider for a bit to do some solo work - you can hear some other tracks on her Bandcamp - and this cover of Chris Knox's 'One Fell Swoop' is bloody ace. She can do no wrong in my eyes. She is bringing out a release called Eating For Two in August on Brisbane's fine Bedroom Suck label - I'll keep an eye out for that one, as should you.



Have a good weekend folks!