Showing posts with label Marville. Show all posts
Showing posts with label Marville. Show all posts

Wednesday, 2 December 2015

VIDEO VACUUM - Sewers, The Steady As She Goes, Marville, Julia R Anderson, These Guy


Goddamn, if it hasn't been donkeys' since I did a Video Vacuum! So here is a quick one, highlighting some Brisbane acts that have put out some moving pics to go with the sounds of recent times...



Sewers have done their best to destroy 2015, what with the release of their second LP Weight on Homeless Records and US tour. 'Still Stinging' is the best example, aurally and visually, of what these boys represent, facials and all.


One of the surprise hits of last year was Dangerous & Dead, the debut album from one man goth-noir-Western monolith The Steady As She Goes. A surprise in that it's all one man, Tal Wallace, and that the cavernous, brooding intensity can be sustained in a live setting - easily becoming one of my favourite bands to take in. Now he is prepping to release follow-up Monoliths, and a perfect example of what to expect is 'No One Will Care When You Die'. Johnny Cash if he entered into a never-ending twilight palaver with Michael Gira, overseen by the Ulver chorus and reigning Cthulhu. The Man In Blackest Black. Dark as the limitless depths of your depraved soul - and far better for it.


Grunged-out duo Marville aren't messing around with 'Fickle', a track that oozes, crawls, gnaws and spits at you. Ash (Bottlecock) is now joined by Doug on the skins, and the bulk and heft is evident here. Just as the ink sprays on the canvas, 'Fickle' is an onslaught - one that isn't likely to wash out anytime soon. Break out the bleach.


Let's finish off with two of my favourite Brisbane artists, both of which come out of the very-shortlived band  Tabletop Lamps. First up is Julia R Anderson, whose evolution from a contemplative noise pop maven swimming in Yo La Tengo and Galaxie 500 waters to the art-pop contusions of 'In The Beginning' is nothing short of breathtaking. That performance in the clip, reminiscent of so many things (Ash's 'Girl On Mars' colour palette notwithstanding) is evidence of an artist growing in stature and confidence. Everything I have seen and heard her do has been exciting. Get behind this - in the year we see the further reaches of Julia Holter and Jenny Hval, Anderson deserves to be huge.


And let's end with some quirky yacht pop from These Guy AKA Joe Saxby (now joined by two pop weirdniks in crime). 'That Fucking Guy' is brilliant in every way - the hipster-baiting, the dork embracing, the air instruments and mic, the fly on the burger, and the visceral and violent about-turn in the last minute. Stupid genius is the best kind of genius.

Friday, 1 November 2013

Stranger Marville Gods


Local grunge-addicted duo Marville may not have hit your radars that often, but that's not because they are a new band. Rather, they have been playing the traps for some time since humble beginnings of a solo outlet for Bottlecock aficionado Ash Kerley under the moniker Strangers. After teaming with Linda Dark, the band have been not-so-quietly chipping away, until Sydney band Strangers threatened to take them to task over "their"name, despite Kerley playing under the moniker for ages before the pipsqueak screamos came onto any semblance of a "scene". Anyway, the duo obeyed the lesser of two evils, and are reborn as Marville.


Which is working out mighty fine, as the duo prepare to launch their debut album (in either incarnation) today, Vayan Con Dios. An album of unabashed tension, atmosphere and slack-jawed nihilism in the Adalita-in-mid-career-Magic Dirt mould, with some smouldering instrumental interludes, the album doesn't push the envelope, instead happily espousing the strengths of their limits, comfortable in their brittle skin. With a Bottlecock LP in the ether, Kerley promises to be a busy presence in Brisbane circles over the next twelve months - and if this album is any indication, the 90s alternative scene is coming along for the ride.


Marville launch the album tonight at the Beetle Bar alongside ol' SM faves El Motel (it's been awhile, padres), You In Reverse and the rising glory of The Steady As She Goes. For a $10, it tees off at 8pm.