Showing posts with label Fu Manchu. Show all posts
Showing posts with label Fu Manchu. Show all posts

Thursday, 11 September 2014

Chroming The Young


I am a massive fan of Austin reprobates The Young’s Voyagers Of Legend LP, which tore my face off in 2010 (it was one of our top albums of that year). That album was surprisingly on Mexican Summer - not a label that keeps tabs on this kind of viscerality - and was also their last one on there. Then my knowledge of their existence pretty much stopped right there. The quartet apparently brought out a follow-up album called Dub Egg, which I somehow missed. I'm scurrying around looking for it now...

But onward and upward. The Texans have a new album on Matador Records, and it's a balltearer. Chrome Cactus is sharper; harsher; leaner; sinister. There is a dropped-down drive that underscores this songs, which are then superseded by fuzzed out guitar solos a la Fu Manchu’s Scott Hill albeit with some deliberate restraint, and other abrasive effects like the squalling feedback stab on ‘Metal Flake’ or the the soaring synth that accompanies the “ballad” ‘Apache Throat’. The excellently-named Hans Zimmerman takes front and centre with his vocals this time around, and it lends an interesting counterpoint that is often overlooked in 21st century rock production – his voice is uninhibited by pedals, effects and nonsense distortion and delay, and as such stands somewhere between the monotone snarl of Girls Against Boys’ Eli Janney and the growl of Young Widows’ Evan Patterson. It helps the the sound has been tweaked by Tim Green (Nation of Ulysses/The Fucking Champs) in the blasted surrounds of the Sierra Nevada – definitely perfect environs for what transpires here - but you get a sense that Chrome Cactus may have landed at his feet fully formed. ‘Chrome Jamb’ has a narcoleptic undertone to its dry crawl, bent strings belying a Morricone hangover before bringing the doom; ‘Moondog First Quarter’ maintains the vitriol that has been missing from Black Mountain for some time. I still miss the darkness sewn into the Pixies-lite that littered their debut, but when the raucous drown-out that is the aptly-titled ‘Slow Death’ kicks in, closely followed by the feedback squall of closer ‘Blow The Scum Away’, the new Young is all that matters.


You can grab Chrome Cactus here. The Young play in NY tonight alongside SM faves Degreaser - get along.

Wednesday, 25 September 2013

Scavenging Zigs & Zags


Out-of-control shredders Zig Zags have certainly done some shit in their two years as a band. Having released a few 7"s (one on Mexican Summer, believe it or not), a split with grinders The Shrine, a cassette on Burger Records and a collaboration with Iggy Pop, the LA trio show no signs on letting up the squalling fury. They have released their two sold-out singles 'Scavenger' and the most excellent 'Monster Wizard' on excellent German label Who Can You Trust?, and it's a stone cold slayer. Black Sabbath, the Stooges (obviously), Fu Manchu - the touchstones are loud, spun out and are set to kill.


You can buy Scavenger/Monster Wizard here.

Sunday, 9 June 2013

Getting Cosy With Kinski


There is too much music in the world. I'm going to do some small (but hopefully relevant) posts over the next week about releases I'm sure you are all on top of, as I should have been, but they are too good to not mention seeing as they are amazing records.

Ill kick it off with one I was sent a few months ago, and kinda let slip until I saw Repo Man on TV a few weeks ago. I goddamn love that movie, I can tell you. The cover of the new Kinski record, Cosy Moments, is straight outta that movie. Now, Cosy Moments doesn't offer any straight up punk jams like Alex Cox's soundtrack (although 'Last Day On Earth' is close). But then again, Cosy Moments doesn't offer up classic Kinski either - gone are the ground-down post-rock stylings of yore. In its place we have a spaced-out grunge behemoth, Fu Manchu by way of Nirvana - the Seattle hangover kicking in two decades on. It might irk the purists (ARE THERE Kinski purists?), but this leaner, meaner Kinski is all right by me.


Grab Cosy Moments (through Kill Rock Stars) here - its a solid record all round.

Kinski - Long Term Exit Strategy
Kinski - Skim Milf

Thursday, 28 February 2013

OBNIII's Vs The Walking Dead


The 21st century has really turned up the heat in TV land. I don;t watch TV per se - my television has been sitting in the back of my car for the past five weeks - but I DO watch TV series. Breaking Bad, Boardwalk Empire, Parks And Recreation, Community - these (and quite a few more) are my go to's, to the point where I lose large chunks of time and a film or book rarely suffices (the book mainly because I'm lazy, and the last book I attempted to read A Pretty Good Read, an unofficial "biography" of Modest Mouse - was the biggest piece of shit Ive ever attempted. Seriously, Alan Golsher should have disappeared up Isaac Brock's arsehole in the first five pages. There's a good story in there, if you could past all the blatant cock-sucking...). Currently, my poison of choice is The Walking Dead. I'm just finishing season 2 and beginning season 3. A lot of people had complaints about the elongated farm sequence of season 2, but to me there was something 'real' about that - the stalling and scrabbling for normalcy in a apocalyptic wasteland, the core human emotions still struggling for a place in such a dire landscape... But yeah, the prison can't come quick enough.


ANYway, so this week Ive been watching that, and listening predominantly to last year's self-titled record from Austin TX reprobates OBNIIIs. I actually chose to pull this one out again solely because of its tenuous connection - what with the black spectres in front of a blood-red background on the cover. But the straight up, balls to the wall rock and roll that tumbles out of the speakers is primal, vintage stuff - if the world turned to pot, with everything degenerating to the basest of terms where survival is key, this would be the perfect soundtrack. There are elements of Death right through to Fu Manchu in these rollicking tracks, with some blues and psych mingling at the edges. But the attitude that pervades this record - confidence to burn - is infectious and ridiculously true to form. Many bands attempt this - very few nail it in such a pure fashion. If the shit went down tomorrow, this would be in my sweaty palm as I fled for high ground. Get OBNIIIs through Tic Tac Totally here. Trust me, it's worth it - even if it is saved for a zombie infestation.

OBNIIIs - You Wanna Bitch 
OBNIIIs - Stick and Move
OBNIIIs - People Are Afraid