Saturday, 11 August 2012

Sleepwalking On The Moon


I have a post on Monday about the 12" tour release that Moon Duo brought out recently. It was going to be today, but I have to punt it for this nice little coup! The San Franciscan sonic conquistadors have a new record on the way through Sacred Bones called Circles. The label has been inundated with pre-order purchases, hence the mail-out getting a little delayed, so to placate the masses they let this track out of the bag. It's classic Moon Duo, and should do more than appease the hordes.


Circles will be out in October. Why not add to the mayhem and get yourself in line for one too? It's in sexy red vinyl if you're quick off the mark...

Moon Duo - Sleepwalker

Friday, 10 August 2012

Surf On, You Crazy Emerald


Back in February we had the fortune of having brilliant Emeralds guitarist Mark McGuire grace us with his parents in what was one of the best gigs of 2012. However it was supposed to be with The Skaters/Monopoly Child Star Searchers wizard Spencer Clark in tow, to champion the collaboration the duo created in the form of Innertube. Incorporating the ethos and mantras of the surf movie, Innertube is a collection of warbling instrumentals that encapsulates the surf movie, casting aside all that has been called surf-rock in response to an honest approach to what made films like Big Wednesday the multimedia wet dreams of the sunny 1970s. Complete with scratchy VHS quality production, Innertube is like finding your favourite tape from when you were a kid, hunkered in the den on Saturday mornings, marooned by land but still smelling the imaginary salt on the breeze. For me? Weirdly - The Coolangatta Gold. Go, Grant Kenny! A time capsule and an ode to childhood climes, McGuire proves that he thrives under any guise.


Innertube can be gleaned here - this is a great record, have at it people. Plus, it might get you psyched for the weekend - if it's Summer, easy pickings; if, like me, you are in chillier realms, it'll ignite the synapses of nostalgia and have you gearing up for the turn of the seasons. Win win.

Innertube - Omeletter Psychosis
Innertube - Faisal's Pad

Have a great weekend people!

Don't Let Caterpillar Hood Evaporate


This has been out a whiles (sorry Danny!), but new local "un-pop" label Lost Race Records has released a cassette from new Cobwebb on the block Caterpillar Hood entitled Evaporate. I tend to be a sucker for these ambient downer sounds, whereby I feel like I'm listening to someone shred A Scanner Darkly, Snow Crash and 1984 into confetti, blend it with ketamine and resin, distill it into an amorphous, gelatinous substance, before forcing it into your ears. it's a fugue state whereby everything and nothing makes sense, and Caterpillar Hood pretty much nails it. The only predictable thing here is its unpredictability, and its immersive to the point that it feels interactive, especially on headphones. It seems to be an incredibly busy album sonically, yet everything is in its right place. I'm a big fan.


Evaporate is available over here.

Caterpillar Hood - I Was Born Then I Was Dead

The Waiting Room Never Saw It Coming From Iowa


Next week Brisbane is going to be invaded by Iowa. Not by the state of the USA; not by Mitt Romney; not by obscure Russian divas; not by fanatical Slipknot acolytes. No, Brisbane is going to be destroyed by the Melbourne trio whose debut LP Never Saw It Coming is a head mixture of all the best alternative/noise rock conventions of the 1990s, including adherence to hook and melody behind all the feedback. They are playing X&Y on the Friday August 17 (with able supports from Tape/Off and Sleepwalks), an afternoon sesh at Tyms Guitars on the Saturday, and then - drumroll - at The Waiting Room as headliners for this month's Sonic Masala Presents. They are bringing their new album in tow (including some on sexy yellow vinyl!) and a new single in the form of 'Love Song'. This is one not to be missed, including as it does support from the resurgent Seaplane, the destructive El Motel (who are promising something special for this show) and the debaucherous Crass Creatures. It's all for a tenner, with BYO, and I PROMISE YOU that this will be one of the strongest shows you will see this year. If not, Ill drink some beer - that'll teach me!

Here's the streamed Iowa album:


...and here is a little mixtape of tracks from the bands...

El Motel - Black RiderCrass Creatures - Cement
El Motel - Carnival Kid
Iowa - Panic Attack
Crass Creatures - Snake Hole
El Motel - Crazy Love
Iowa - Complete Control

...and because I don't have any Seaplane mp3's at work, here is a live version of 'Soiree'.



Get keen!

We Are...SNØSKRED


I was sent the single 'We Are' yesterday by Norwegian band Snøskred, a quintet who all sing (and presumably all dance?) over a enviable brew of benevolent noise. The perfect permutation of dreampop and shoegaze, 'We Are' is at its best a glorious microcosm of interstellar sonics, a sinewave of sinuous sound and; at its worst, its a MBV-lite cast-off. Either way you look at it (and I'm definitely in the former camp), it's an assured track, an ecstatic preamble to what will hopefully provide a stellar debut longplayer.


You can grab 'You Are' on a 7" through Riot Factory Records.


Thursday, 9 August 2012

I'll Only Get Fresh On This Long Slow Dance


I've mentioned in the past that it took me seeing San Franciscans The Fresh & Onlys live (supporting Deerhunter no less) for me to truly appreciate what they did, as on record I couldn't get past the poppiness of their tracks - it all felt staid to me. I've since become a convert. This year could see me become a zealot though. What with great solo records from Tim Cohen and Wymond Miles, and now their impending LP Long Slow Dance (out September 4 through Mexican Summer), the quartet are doing all they can to "rectify" their past undoings (this last comment is aimed squarely at me, folks, before I get the backlash and death threats - although is any F&O fan straight enough to get that wound up? I know that I'm not...) The album physically looks beautiful, and if the two singles that have been released (which you can get as 7"s) the album will be the aural equivalent.


See what I mean about the beauty of the package? Get in fast and grab any/all of these releases here, here and here.



Hits From The Box #55 - Bolt Of Clarity


OK, so second week of Olympics and I'm still slightly disgruntled about the whole Aussie sore losers thing. Don't get me wrong - I'm loving watching it now - just trying to avoid most of the Aussie coverage. Sally Pearson, Anna Meares, the sailing boys - incredible work! But claiming that our country is a disaster is some of the worst tall poppy rubbish I've heard in a long long time. I love our successes, but I'm finding more solace in our unexpected success stories (IE the 19 year old 400m runner who came 8th in the final, but wasn't expected to figure in the heats), and of course Usain Bolt, Michael Phelps and the true champions of the world.

Plus, you can put it on mute and listen to this week's tenuous-at-best Olympics-themed Hits From The Box...


Sheffield, UK's grottiest lo-fi punksters Collider supposedly brought out this cassette through Tye Die Tapes not that long ago, but I can't find it anywhere. The track I have, 'You Didn't Think This Through', is pretty damn ace though, and I'm hoping that the label (that includes the great Slowcoaches amongst their roster) aren't pulling my leg on this one. So despite my obvious failure at navigating Google properly, here is said track. Plus, the title reminds me of Aussie swimmer Emily Seebohm's decision to declare her Twitter obsession as the catalyst for her pool failure. What a gaffe. I'm struggling to see why I should be altruistic about this girl - she is human and therefore fallible, but just accept you have the ability to be the best in the world, but tight at this moment you are second. Ah well. Lesson? At least I'm kicking arse on Google Hurdles and Kayaking...and if that's all you get from this, a free killer track, an aversion to social media addicts and an impulse to play simplistic keyboard-mash games, Collider have won.

Collider - You Didn't Think This Through


These guys are called Sunglasses. This track has been sitting in my inbox for months because I didn't believe that they were actually called Sunglasses. But seeing as the track is called 'Swim', and what with the Olympics and all, I thought it was time to track these pesky dudes down. Seems that the duo, harking from Savannah from all places, put this track out on cassette EP a couple months back. So I grabbed said EP (out through Lefse Records), and it's pretty good. Sweeping glossiness, rose-tinted...ah, I see where this is going! Could have propelled some people along to great heights. 'Swim' is the languid highlight for me though. Check em out below.

Sunglasses - Swim
Sunglasses - Namesake


I thought I'd throw Washington dreampop trio Western Affairs into the Olympic ring because their new album is called 2000, which is clearly not a reference to anything interstellar like 2001: A Space Odyssey and instead focuses on the power and the passion that was the 2000 Sydney Olympics. Kangaroos as BMX bandits? Hills hoists? Victa grass mowers? You better believe it. 2000 is also a nice brush across the likes of more maudlin Flaming Lips, a more synth-led Nada Surf or a dancier Twilight Sad. Very pretty. Very Sydney.

Western Affairs - Iowa
Western Affairs - 1999
Western Affairs - Laura


Now, Portland's resident weirdo (well, one of them) Oxykitten has a few releases out this year that deserve recognition, if only for the whacked-out song titles (the opener to The Cutting Room is called 'Dog Fisting My Unicorn'...). Firstly there is the collaboration with Adderall Canyonly called The Cutting Room, then his/her own release Octagonal Wax (on Field Hymns Records). Its inclusion on this HFTB stems merely from song titles, although this mesh of synth-line instrumentals are much more palatable than seeing a unicorn getting fisted might suggest. Well worth trying (the music, I mean...)

Adderall Canyonly & Oxykitten - Cruising For A Losing (insert disappointment here, I guess...)

Oxykitten - 50 Times Higher Than Any Normal Man (SM dedicates this to Michael Phelps)
Oxykitten - Drowning Inside (to the loving memory of Eric The Eel)


Nose is a noise-rock band based in Scarborough in Western Australia. That's all I really know. And they aren't lying, it is pretty bloody noisy. But their chaotic mess is here because of the ire that so called 'experts' wax lyrical about shit they know nothing about (I can see how such a statement, put in another context, could be fired squarely at me - time to attach the critique-proof Kevlar...). Still seething about the arseholes that Australian media pundits have generally proven themselves to be. They can all go fuck themselves. Hence...

Nose - Intellectual Inbreeding (geddit?)
Nose - Giant Parasitic Worm (this is kind relevant also, come to think of it...)


By now (hopefully for the eagle-eyed of you, from the first sentence of this longwinded post) you will realise that I'm just tying these six bands to the Olympic flag with the flimsiest, frayed piece of string I can find. I'll return to England, the current hotbed of Olympic euphoria and heartbreak, and let Bedfordshire quirksters Grubby Mitts set the standard then with their track...er, 'Standard'. It's off their great Standard 7" (out here), hoping to hear more in the near future. Plus, it would be awesome for a indie Olympics montage don't you think?

Grubby Mitts - Standard

This is the worst post, right? Whatever. Put these bands on and watch Bolt ad nauseum, it'll restore your faith in humankind.

HAPPY THURSDAY!

Let's Get Shellaced


Hole E Shit. As if I WASN'T going to be excited about Shellac's first Australian appearance since 1993 - I saw these guys only hours before this blog was conceived at the My Bloody Valentine ATP! But of course they (alongside another couple of greats, Lee Ranaldo and Billy Bragg) had been garnered for this year's Melbourne Festival, so assumptions were high that the only way to catch the rambunctious trio was to wing it south. Not so, as all three acts will alight in Brisbane in late October as part of an East Coast tour (not all together, separate tours - I would pay to see Bragg and Albini in some verbal confrontation. Actually, anyone with Albini will find it hard pressed to get on top, he is one opinionated mofo). So get your tix here for Shellac's Tuesday October 23 show at The Zoo, with Pikelet in support. They are 30-odd bucks, incredibly cheap really, so expect these to fly out the door.



White Hills Burn Up The Road


New-ish label Outer Battery has some pretty sweet live LPs coming up that were recorded at Holland's Roadburn Festival last year (co-released by Roadburn Records, of course), none moreso than the current recording of LA's space rock demons White Hills. It's a killer set consisting of 'Three Quarters', 'Under Skin Or By Name', 'Radiate', 'The Condition Of Nothing' and signs off with a blistering 'H-p1'. The CD is sold out, but who cares when you can buy it on green vinyl? I sure don't. Further exciting news from Outer Battery is that they have become the USA arm of Roadburn Records, so expect to see live releases of past years' Roadburn fests from the likes of Neurosis, Wolves In The Throne Room and Yob become much more readily available.



You can get Live at Roadburn 2011 here.

White Hills Live - Side B

Tuesday, 7 August 2012

Occupied With An Unspoken Golden Retriever



Occupied With The Unspoken is the new record from Portland duo Jonathan Sielaff (of Au) and Matt Carlson (of Parenthetical Girls) AKA Golden Retriever, and their first through esteemed experimental label Thrill Jockey. The album is both a meditation on and a study of how music can be made, by focusing on the ways in which polyphonic music can be molded from monophonic instruments. The bass clarinet and the analog modular synthesizer are generally both capable of playing only one note at a time. By intertwining electronics into the mixing and layering the results, a tapestry of sonics emerges which feels organic in origin but is anything but. This is the kind of extrapolation of sound that the Inner Islands stable would find inimitably fascinating. Much like contemporaries in these exploratory realm, Golden Retriever wouldn't ever play these concise versions of songs, tended for a 25-to-30 minute interpretation which allows for pondering and feeling out, thus making Occupied With the Unspoken a unique experience all its own. I always surprise myself about which experimental sound installation I will connect with, and which to me doesn't lead anywhere - but Thrill Jockey is a pretty good indicator of where my cards normally fall. Golden Retriever, whilst not a safe bet for some, is a risk worth taking.


You can grab Occupied With The Unspoken here. Check out the song and video 'Canopy' below.

Golden Retriever - Canopy

Video Vacuum - Eagulls, Crime & the City Solution, Opossum, Idles


I'm going to be quick with these, loose with the PR and bios, and just have at it because it's been a long fucking day...I really need to get the band back together...

Straight from the horses' mouths about the Eagulls new video/track 'Moulting' - "The lyrics in this ‘number’ are reflecting my feelings of how I felt I had nothing left. Everything I’d done so far in life just seemed to be worthless. I wrote most of the song in my freezing cold bedroom which is the size of a single bed. I would wake up wet from the damp all night and my feet would be covered in mould off the walls and I’d had enough. It felt like I was dropping to bits like a cat loses its hair or a snake sheds its skin." Life doesn't feel so bad now does it? Eagulls have some cool shows coming up if you are UK bound in the next couple months (although their incredible support score with newly-90s-angst-burst Cloud Nothings is sold out), especially seeing as they are supporting Liars in Norwich before running around with 2012's Scandinavian punk sensations Holograms (if there's a new one of these every year, it will be fucking amazing, everyone else can give up music).



Crime & the City Solution

An Introduction To… is a new series of compilations on Mute of Sydney-via-Melbourne-via-England-via-Berlin post-punk deities Crime & The City Solution, with the tracklisting chosen by the band. For A History Of Crime - Berlin 1987 – 1991, the band has selected tracks from the three Berlin era albums: Shine (1988), The Bride Ship (1989) and Paradise Discotheque (1990). The album also features the band’s swansong, ‘The Adversary’, from the film Until The End Of The World (Wim Wenders, 1991). Simon Bonney is a great writer, and seeing that Mick Harvey (The Bad Seeds) was in the last two true incarnations, and Troy Gregory (bass, The Dirtbombs/Swans/Spiritualised) and the Dirty Three's Jim White is currently playing drums for them, they are an incredible band that were much overlooked, so to see them out and about once more is truly exciting. Listen below, then go back and get everything - Mute are making it easy for you...



Ruban Nielson may have been the first to climb out of the Mint Chick wreck with last year's breakaway warped pop sensations Unknown Mortal Orchestra, but brother Kody (along with bassist Michael Logie and ex-NZ chanteuse Bic Runga on drums) isn't far behind with psych pop mutation Opossom. The debut record Electric Hawaii comes out on Fire Records in August (it's already out here in Australia), and this is the second single (and one of the best tracks). Unfortunately the bastards are playing the same night as my Sonic Masala-endorsed Iowa album launch here in Brisbane (that's Saturday August 18, at the Waiting Room, you should all totz come!!!), but I'm sure they will be back. Plus they are touring the US and Europe in the latter months of 2012 so they will be busy bees...



Finally we have Bristol, UK act Idles with second single off their Welcome EP (which only came out two days ago on Fear Of Fiction Records) called 'Germany'. I wasn't sure if I would dig this, but it's doing the do today, and the vid is weirded out AND has interpretive dance - what's not to like? Get up and cut those weird shapes in a work cubicle that isn't yours, go on!



Have fun? Yeah...NOW GET BACK TO WORK!

Don't Mess With The Midnight Ghost Train


It's funny how a band's name can throw you for a loop. As it was when Karate Body Records sent me Buffalo, the new album from Kansas-based group The Midnight Ghost Train. For whatever reason, I was expecting at best rockabilly blues act, at worst some MOR indie bluster or folk bore. Not the unholy progeny of a menage a trois between Young Widows, Kyuss and Tom Waits. There is probably a better reference here - there's a song that is licking my earlobe, but I can't quite remember it, it's bloody annoying - but where blues, desert stoner rock, riff-tastic solos and some gruff mewling with an evil glint in the eye fuse together, I will surely follow. It's pretty great all round, bottom heavy to hell and back, and the slow chug of 'Tom's Trip' that explodes in the final third is worth the price of admission alone. And possibly the best covers-based about-turn in 2012 is here too in the guise of an acappella rendition of Lead Belly's 'Cotton Fields' as done by a traveling freakshow. I shit you not, Buffalo is white-hot, jampacked full of ferocity, twists and turns, worthy of a face-melting.


You can grab Buffalo here and here. Seriously, you won't find many bands with thicker rock riffs this year.

Taking Artistic Control


Two Sound of Science releases in two days? Well, I never! Wisconsin instrumental math rockers Control put out this tasty cassette Schulte A little while back, that is now out on all formats (vinyl, digital and CD). The trio have been doing EPs with artists doing screenprints, a great collaborative interest that at $15 each is a deal and a half. I was originally turned on by their influences - Fugazi and The Minutemen, how can you go past that? - and the music fulfils my taking a chance. The music is tight, athletic, energising and a lot of fun. They are worth checking out, and you can get their stuff in any format you want (three guesses which one Ill be championing...) right about here.

Monday, 6 August 2012

Creating Stories With Endless Fire


I doubt Ill do this record justice - I've been sitting on this so long, using it whilst I write a existential short story about as boy who finds a Colt revolver in his backyard that speaks to him (it's probably as shit as it sounds), that the lines have been irreversibly blurred. Another great release from Immune Recordings, With Endless Fire is a bit of a mind fuck album from drone/folk/something explorer Ilyas Ahmed. I hadn't heard his stuff before, until I found out that he is one half of Visitor (the other half being Elizabeth Harris AKA Grouper). There is a certain timbre that emanates from Ahmed's croon that, mirrored with the acoustic and electric guitar, the harmonium, the loops, it seems torn between warmth and isolation, an utterly intriguing listening experience. Scoring swirling skies over a scorched earth, a peyote totem search through the desert - or a boy with a gun as the ash starts to fall.


You can get With Endless Fire here - it's a compelling record well worth you time.

Ilyas Ahmed - Stained Sky
Ilyas Ahmed - Now Sleeps

Little Dreamers #4 - Nitzam, Fierce & the Dead, Sleeping In The Aviary, TV Buddhas

Here are some belated releases by bands I've featured in the past that I thought warranted a quick mention...


First up, Brighton psych folk rock hybrid Nitzam put out a self-titled EP last year that I quite liked, and since have pumped out two more - called Nitzam 2 and Nitzam 3. They also opened The Great Escape festival this English summer (not sure if that's even a term anymore...) All three releases are free and can be got here. Get got, good.

Nitzam - High Tide (from Nitzam 2)
Nitzam - Answer Phone (from Nitzam 3)


Another UK band, London-based instrumental quartet The Fierce And The Dead impressed with their long-and-amusing-titled debut If It Carries On Like This We Are Moving To Morecambe. They followed this up earlier this year with EP On VHS (which you can grab here), which they also recorded videos for the four tracks onto VHS tapes for special purchase - nice. The EP has some great moments, and with titles like '666...6', still haven't lost the sense of humour.

The Fierce & The Dead - 666...6


Now across to the US, Minneapolis to be exact, to check in on Sleeping In The Aviary. The five-piece put out a fun LP last year called You And Me, Ghost and last month re-issued their sophomore album Expensive Vomit In A Cheap Motel on vinyl. More lo-fi, steeped in tragedy but run through with hope, the album is a ragged rush at the sun - no lollipops here, just soldiering on with a glint in the eye. Good stuff. You can grab it (and their other stuff) through Sound of Science here.

Sleeping In The Aviary - Write On


Finally we are trekking way over to Tel Aviv via Berlin for post punk gurus TV Buddhas. The latest EP Band In The Modern World (out through Austrian label TROST Records, produced by Steve Fisk) sounds anything BUT modern, like its a lost tape from the 70s London era. I'm really tired, so all Ill say is this is a great release - GREAT release - that you should get right now. RIGHT. NOW. Here. Do it.

TV Buddhas - Don't Tell Me It's Gonna Be OK
TV Buddhas - In The Shadow Of A Wave

Here's the whole thing...

Marching Up Arch Hill With Big Sounds From My Transistors

I've been a little neglectful of cool little NZ label Arch Hill of recent months, and I was only made aware of this when I noticed that a band that I wrote about back in 2010, Transistors (now called The Transistors apparently), were on the Brisbane BigSound bill in September this year. So it's catch up time, starting with Beach Pigs.


A ramshackle four-piece outta Auckland, Beach Pigs brought out an electric self-titled EP last year that didn't both to to break ten minutes. They inject as much beat, spunk and junk into their pop ditties that it is impossible to stay still, to not smash stuff, or to not sing along with Tourette's style abandon. The latest track is somewhat longer, sunnier, languid yet still raucous and fun. Pity they aren't hurdling the ditch come September...keep an eye out for these guys for sure.

Beach Pigs - Catch Up In The Sun


Now we have Transistors, who are touring their home country as the special guests of Aussie band King Cannons in a preamble to their BigSound soiree. Their last EP Flux Pentaphile was pretty killer, so I'm expecting them to blow all punters away when they take to Bakery Lane on Wednesday September 12...

Transistors - Abandoned

Sex Hands Are There For You (And All Over You)


Manchester produce some funny folk, don't they? They produce some pretty stellar bands too. Sex Hands is one such group. Three friends from Wales with a Manchunian add-on, the awesome foursome write scuzzy, wonky garage rock about Friends. Not their friends, but everyone's Friends - Ross, Rachel, Monica, Chandler, Joey and Phoebe.


They even have an entire album glued to the obsession, called Season 1. Some of the instrumentation actually reminds me of Royal Headache at times, such a great thing.It's pretty rad, even moreso seeing as they have an amazing cover of The Clean's 'Sad Eyed Lady'. No cover of the Rembrandts' "AMAZING" title tune though, instead naming a song after the band. Small victories. Grab it here.

Sex Hands - Joey
Sex Hands - Sad Eyed Lady (The Clean cover)

But that isn't all, they have been on a couple of excellent splits this year. The first one, a 7" put out by Icecapades, with now-defunct band Daily Life. It's a little clearer in production, but just as awesomely (and gleefully) bent out of shape. He can still grab it here. Here are the four songs put to some film clips:









And in case that isn't enough, here is the other split they did, a cassette on Birthday Tapes with ____ band Golden Grrrls as part of their Zodiac collection. Called Taurus, we get more of the same, but different. But essentially the same. Woo! PLUS, their cover of Gorky's Zygotic Mynci's 'Merched Yn Neud Gwallt Eu Gilydd' is just as rad as their Clean cover. These guys cover goooood. you can buy this cassette for 2 squid here.



They also have this 12" 4-way split out through Song, By Toad Records with SM faves Paws, as well as Waiters and Dolfinz. Grab it here (the Sex Hands song is 'Jingle Bitch' off Season 1).

FINALLY! Here is ANOTHER few Friends' related track, including a newie called 'The One Where The Stripper Cries'. Ah, Danny Devito...Dr Romano...Susan...the memories! And why I'm at it, Ross and Rachel, WTF! Don't get me started (*starts humming 'I'll Be There For You'...)







Sunday, 5 August 2012

Animal Collective Get Supernatural Today


You've probably heard this already - their album Centipede Hz has pre-orders up the wazoo, so many are gagging for it - but Animal Collective released a new track recently called 'Toady's Supernatural.' Have a listen and leave a comment below about what you think. Is August 31 taking forever to come, or are you nonplussed, or even dreading this release?

Friday, 3 August 2012

Friday Cover Up - Going Greek In The Dunes


I know it's been out a whiles, but I didn't feel like searching for a cover, but wanted to provide one, and these are damned sweet. Earlier this year Amen Dunes put out the Ethio Covers 7", three tracks of Ethiopiques songs culled from unnamed tapes. After hearing these songs coming each night from his neighbor’s room upstairs, he decided to learn the tracks note for note and replicate the full band’s sound through the Amen Dunes lens, overdubbing all the instruments and vocals. It ends up sounding like Amen Dunes really, albeit somewhat happier, like being caught in a prism hit by mid-afternoon sunlight, before being thrown in a muddy ditch. That actually sounds rather pleasant to me...


You can still grab this from Sacred Bones and probably your nearest and dearest record stores. Grab it from the source here.

Amen Dunes - Ethio Song

Enjoy your weekend people!!!

No Sleep In This Weird Wild World


I spoke not all that long ago about Sleepies - check that out here. Well, I was speaking to Nick Sylvester of Mr Dream, who runs the God Mode label, and he let drop that New York mentalists Sleepies were releasing their new LP Weird Wild World through his label in August. Literally the next day, two of the band's members, Tom and Josh, separately emailed me raving about Ty Segall and Dope Body posts respectively, then passing on their track 'Seriously'. Serendipity indeed.

And of course, it's bloody good (I'm so into this delving back into 90s raucous dirgey rock and tweaking it for the 21st century - Cloud Nothings, anyone?). But it isn't even the best song - not by far. This album is so filled with killer that it slays me. Opening with the pent-up swagger of 'Cool Boy' and intensity of 'Combat' (amazing track), it walks through molasses for 'Strange Feelings', and the slowed down mode doesn't affect their attitude one iota, making it all the more powerful because of it. And it keeps rolling on. Which shouldn't come as much of a surprise, seeing as their taste in Mr Dream, Ty Segall and Dope Body is complemented by roping in The Men's Ben Greenberg to produce the damned thing!


You can pre-order Weird Wild World here. This is a great album, one of the better things I've heard this year.

Sleepies - Seriously