Tonight NZ band Surf City hit The Stillery in Camden Town as a precursor to their shows as part of The Great Escape festival down in Brighton. They have just released their new record Jekyll Island (out through Fire Records), which alongside Melbourne band Chook Race’ s About Time has been the first “summer” record to spin incessantly at my house. The album seems more indebted to reverb wash and psych inflected tangents than their last sojourn We Knew It Was Not Going To Be Like This (at least in my opinion), it is clear that the four-piece is solidifying this approach and becoming a stronger unit because of it. What I like the most though is that there is unashamed attraction to the traditional pop structure aesthetic, as it is with a country of talent that are consistently indebted to the Dunedin years, and of which I am eternally grateful. When looking for gnarled and diseased subversion of such an approach to an electric guitar led son, it’s easy to forget why guitar pop is popular in the first place. Putting out Dollar Bar’s third album Hot Ones this year (with their avid love of all things Robert Pollard) alongside living with one of the world’s greatest fans of Stephen Malkmus last year has really hammered that home to me – and I warmly embrace Surf City with open arms (plus their penchant for Krautrock aspersions is truly present and accounted for on the album, which everyone knows is one of my many vices). You should too.
The album seems more indebted to reverb wash and psych inflected tangents than their last sojourn We Knew It Was Not Going To Be Like This (at least in my opinion), it is clear that the four-piece is solidifying this approach and becoming a stronger unit because of it. Cape Cod Surfing Lessons
ReplyDeleteWhat I like the most though is that there is unashamed attraction to the traditional pop structure aesthetic, as it is with a country of talent that are consistently indebted to the Dunedin years, and of which I am eternally grateful. Cape Cod Surfing Lessons
ReplyDelete