Belfast trio Sea Pinks have always been an interesting band that has thus far failed to fully arrest – to provide that pivotal epiphany moment where time stops, even for the briefest breath of a moment, and everything aligns. Soft Days is almost that moment – it’s an album of sonic subterfuge, that stuns and muddies the water from the get-go. ‘(I Don’t Feel Like) Giving In’ starts with a slow, stark feedback-flecked drone, before opening into a jumped-up tempo 60s monochrome number, both Stones pop and Van Morrison-led Them snarl-lite. It must be noted that Neil Brogan used to be in Girls Names, if only to state that it’s interesting to see two Irish bands from the same gene pool growing in confidence, albeit in a different way. Both send parting glances to bands of yesteryear – but while Girls Names lathers themselves in Joy Division ennui, manicured style and substance excess, Soft Days is all about marrying Flying Nun guitar pop majesty with 70s power pop standard bearers, with the occasional Dando-Richman inflection slipping in the back door (such as in the excellent ‘Cold Reading’). People say it is strange that such buoyant fare should come from such a notoriously wet and “miserable” place – but two things stand in the face of this. Even if you think that opposites often emanate from the wellspring, it’s hard to dissuade me from the idea that such ebullient hooks transcend geography. There are moments of darker rock touches – ‘Down Dog’ and the slight fuzz fadeout of the closing title track – yet while I love noise, it’s just as warm staying in this golden bubble. The last few months have seen a strong push for jangle-centric pop records (Salad Boys, Pete Astor, Nap Eyes), and Soft Days puts Sea Pinks right up in the mix. The record is out through CF Records – get it here.
Showing posts with label Evan Dando. Show all posts
Showing posts with label Evan Dando. Show all posts
Tuesday, 26 January 2016
Seeing Soft Pink
Belfast trio Sea Pinks have always been an interesting band that has thus far failed to fully arrest – to provide that pivotal epiphany moment where time stops, even for the briefest breath of a moment, and everything aligns. Soft Days is almost that moment – it’s an album of sonic subterfuge, that stuns and muddies the water from the get-go. ‘(I Don’t Feel Like) Giving In’ starts with a slow, stark feedback-flecked drone, before opening into a jumped-up tempo 60s monochrome number, both Stones pop and Van Morrison-led Them snarl-lite. It must be noted that Neil Brogan used to be in Girls Names, if only to state that it’s interesting to see two Irish bands from the same gene pool growing in confidence, albeit in a different way. Both send parting glances to bands of yesteryear – but while Girls Names lathers themselves in Joy Division ennui, manicured style and substance excess, Soft Days is all about marrying Flying Nun guitar pop majesty with 70s power pop standard bearers, with the occasional Dando-Richman inflection slipping in the back door (such as in the excellent ‘Cold Reading’). People say it is strange that such buoyant fare should come from such a notoriously wet and “miserable” place – but two things stand in the face of this. Even if you think that opposites often emanate from the wellspring, it’s hard to dissuade me from the idea that such ebullient hooks transcend geography. There are moments of darker rock touches – ‘Down Dog’ and the slight fuzz fadeout of the closing title track – yet while I love noise, it’s just as warm staying in this golden bubble. The last few months have seen a strong push for jangle-centric pop records (Salad Boys, Pete Astor, Nap Eyes), and Soft Days puts Sea Pinks right up in the mix. The record is out through CF Records – get it here.
Tuesday, 24 September 2013
Younger Lemons
Fire Records are reissuing The Lemonheads' first three albums Hate Your Friends (1987), Creator (1988) and Lick (1989). Most people (myself included) don't credit the band for being anything other than the mainstream group we know and love (and of course Evan Dando's constant battle with various demons). It's refreshing to hear Ben Deily's punk snarl, and Dando's Mascis emasculation - kids just breaking out. Some of these songs, like 'Out', are discarded gems too. I have to say that these albums are pretty great, and I for one am pre-ordering them right now, you should too.
Saturday, 9 February 2013
Morgan Doesn't Smudge The Lyrics On Orange Syringe
Morgan is releasing Orange Syringe, a collection of solo material, and although he has moved on from those years (insert Lemonheads reference here…if you must), hardening his worldview just that little bit, these songs are as embracing as ever. Despite some of the subject matter being decidedly darker (or maybe just mature), the melodies are never discarded, nor is Morgan a skeletal troubadour, most of these tracks beefed up by a backing band. It may not be the kind of record that will go on and sell a squillion records – hell, how many people are going to even become new converts? – but it’s the kind of record that should. His fans, or even people seeing Morgan as a curio due to his Evan Dando affiliations, will be heartened to realise that he has not lost any of his lyrical prowess or that ear for a solid gold melody (especially on 'Virtuouso') – in fact, they might fall in love with him all over again.
Tom Morgan – One True Love
Tom Morgan – Taste For Blood
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