Nothing like some exhaustion to start a Black Friday... Melbourne noise heads Exhaustion present new EP Phased Out following on from their Biker LP and their collaboration with Kris Wanders over the past 12 months. The four tracks exhibited here continues the gnarled noise in an inexorable centrifugal free fall, with added industrial destruction from Mark Barrage. The title track is the soundtrack to subterranean tribal law, pagan horror made out of metal and glass, sepulchral figures of feedback fury. Unhinged? Not really; the propulsive metronomic nature of the drums/machine underscore the moans and howls. 'Colleague' offers more abhorrent synthetic scree and anodyne mantras - it fits in with the blackened minimal maximalism that My Disco have taken to their aesthetic on current album Severe, or Perth's Snowman at their basest. These scorched rhythm onslaughts are dissected in the B-side of the EP, with wunderkinds Mikey Young and Stacey Wilson (in Rites Wild mode) taking the reins. Young's 'Phased Out' is laid out like some of the Europunk leather techno that has been entrancing the Australian gutters of recent years (think Multiple Man or Pleasure Symbols, actually cold in Berlin, more earnest, less grimy, more creepy). Rites Wild takes Exhaustion into darker waves, sounding like the techno drone of Yaws or the darkest, desirous regions of Not Not Fun. Put out by Austin label 12XU, Phased Out is yet another transformative experience from one of the best bands in Australia.
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