Showing posts with label Whirr. Show all posts
Showing posts with label Whirr. Show all posts

Thursday, 15 January 2015

Happily Diving Headlong Into This Big Ol World


Happy Diving are a four piece who believe in opening all tracks with wails of feedback, blasting through pop conventions, mainlining sugar-rush mayhem before fading away like an imploding quasar. Their album Big World is basically one song, repeated ten times. The thing is, this actually doesn’t bother me at all – because their clearly beloved song structure of choice is delivered with such relish and volume, all imbued with amber light, it feels like a bliss bomb that you don’t want to stop tearing your very essence apart. So it can be visceral – but we are talking Whirr/Dino Jr/PAWS visceral – a sun-drenched shoegaze aesthetic adhered to scuzz-pop and hipster noise in bite-size form. This is heightened by Jack Shirley’s touch – with Deafheaven and the aforementioned Whirr receiving his mannered touch-ups, he is becoming the go-to for more angular yet aurally accessible shoegaze gauze. The press release compares the quartet to Japandroids, a band that I obviously like, but I feel the band is more akin to another SM fave, Ovlov, albeit with a sunnier disposition. Big World isn’t so big – it’s brash, familiar, and repetitive – but why get out of the pool when it’s so good?

You can get Big World (out through Father/Daughter Records) here – vinyl variations include oxblood or virgin black, but you've missed out on the oxblood and baby blue splatter on double mint - what a delicious disaster that record would be...

Saturday, 19 July 2014

Kicking Goals, Son!


This has been a long time coming. I’ve been a fan of Boston band Soccer Mom since their inception back in 2010; they were the subject of one of the first ever Sonic Masala interviews (an element that has come in fits and bursts, but has included the likes of Civil Civic, Angie (Straight Arrows/Ruined Fortune/Circle Pit), White Walls, Batpiss and Alpine Decline amongst others); my write-ups find a small space in the nether regions of their press releases. And yes their moniker is incredibly misleading. But if you haven’t jumped rampantly on their bandwagon, no need to go back to the beginning. Simply dive headfirst into the distorted world of their debut self-titled album – it’s an exercise in calibrated tension, serrated guitar lines opened up to the sky, a series of noise and nuance that embodies what guitar rock should be.


Start with opener ‘It’s Probably Not Your Fault’ – my favourite track on the album, because it IS Soccer Mom. Crawling out of an aluminium bin with the requisite fast-approaching din, we enter the kind of loud-sedate territory that Archers Of Loaf made (make?) their own, creating a cacophony of fuzz and cymbals amidst the sonorous chorus, everything tempered with gazed-shoe precision (including the feedback-toying close). Its that sense of frivolity and earnestness tagteaming amongst the chaos that makes them such an enthralling listen. Elsewhere the is the swirling guitars and disembodied of vocals of ‘Orejas’; the glazed dreaminess of ‘No One Left’; the anguished stutter of (im)personality on ‘Dry Mind’; and the crowded instrumental interlude in the middle of ‘Hideaway Sands’ is the kinda things that coalesces into a vibrant catharsis of crossed strings and smashed slings that Deerhunter-via-Sonic Youth revel in. The brooding closer ‘Open Heart Surgery’ is more openly abrasive, still tempered by crooned insistence, but offering an expulsion that to be honest doesn’t even need to come - if you aren’t an acolyte by album’s end, why are you still here?


The band continue to connect, playing alongside the likes of Weekend, Whirr, Speedy Ortiz and Nothing, bands in particular that embody the yin and the yang of Soccer Mom’s aesthetic. I know there will be albums this year that will grab my attention harder and for longer, but this is such a solid opening gambit longplayer, especially having listened from the beginning, that it’s hard not to get rabidly excited. Well done guys. Soccer Mom is out now through 100m Records – you should definitely get this.

Friday, 17 February 2012

Drowners Never Go Away


Take a moment to meet Drowner, fittingly from Space City USA - Houston, Texas. Their press ticks off influences that colour each corner of the shimmering guitar rock spectrum - Ringo Deathstarr, My Bloody Valentine, Mogwai, Pains Of Being Pure At Heart, The Cure... And whilst the shoegaze elements are inherent in their self-titled debut LP (out March 13 on Saint Marie Records, a niche label that specialises in this sound and have also added SM faves Bloody Knives to their roster), making such connections is a little too safe. Case in point is second track 'Never Go Away', at just under eight minutes a creeping track that is Siren-esque in its gossamer, eerie calls. The washes of guitar are actually delicate, meticulously balanced, even in the stronger rock numbers such as 'Point Dume' or 'Written'. After bringing Fonda's comeback to our attention last year, Crash Avenue are responsible for pushing this release, and with good reason. This reminds me of when I heard Whirr (the band formerly known as Whirl) for the first time. Seeing as their Distressor EP is one of my favourite releases of its kind in the past few years, that is saying something. Get on board.



Drowner - Never Go Away
Drowner - Point Dume

Monday, 26 September 2011

Kidman's Whirl Turns Into A Whirr


Last year there was a little EP called Distressor that really blew us away here on Planet Masala (read my excited review here - and the notorious cover art of Nicole Kidman a la Eyes Wide Shut is above in multiple form...). The band responsible for the loud and fast shoegaze magic was called Whirl out of California. They had put the record out themselves (with help from Bridgetown Records), and its blend of modern grunge with the English shoegaze of yore was a breath of fresh air, even for this obvious MBV acolyte.

Fast forward 12 months and a lot has changed for the band. They are now called Whirr (as most cases stand, due to some legal issues), have signed with Tee Pee Records, and have an exclusive 7" (250 copies only!) in coca cola bottle green vinyl - sexy! The 7" is a gift to tide us over whilst they step into the studio to record their debut LP. 'Junebouvier' is a slight departure in that the aggression and suspense have been toned down a little, but due to its adherence to the woozy nature of its predecessors Id say it's still a hell of a lot to get excited about.


Buy the 7" here - this limited edition piece of wax will fly out of the Tee Pee, so do it now!

Whirr - Junebouvier