The Steady As She Goes continued to roil in the deep dark night, a behemoth breaking the surface in slow motion, the spiked moonlight sparking off its glistening carapace. The one-man Gothic doomsayer scorches the (E)arth on 'Kindred', the sepulchral opener to new release Teeth Dreams, before the Man In Black saunters through the smoke, a haunted gunslinger looking for his 'Throne Of Want'. I know that Tal will hate me for some of this - but I felt like I was trapped in a vacuum with three speakers spewing forth Tangerine Dream, Ennio Morricone and Pink Floyd in an unholy triumvirate of textured sound. I personally absolutely love it - it has become my soundtrack to my current spate of late-night writings. 'You Don't' is more in the scheduled TSASG vein, a slow-grinding leviathan of heaving waves of expectation and expulsion, before the nightmare crawl of 'Toluca' takes into the delicious darkness. The Steady As She Goes is one of the best things about the Brisbane music scene in my opinion - defiantly dark, dense, idiosyncratic and intense, a solo journey to the centre of the earth with no promise of return. More please - always fucking more.
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