If there is one thing that is always assured, it's that a Girls Pissing On Girls Pissing release is going to be dark, garish, disturbing, visceral and seductive - something like an Argento film, directed by David Cronenberg circa '79, from a script co-written by Ben Wheatley and the Soska Sisters. The band played one of my favourite ever Sonic Masala shows back a few years ago now (also playing - Orlando Furious, Adam Cadell/Tony Irving and Blank Realm side-project Huge Nudes - truly unhinged night). I love these guys, their stilted, dark goth noise always a multimedia concern, with zines, books and artwork intrinsically entwined with the twisted sonics on display. Scrying In Infirmary Architecture is all of this, and more. There is the haunting sultry strike of 'A Fraud, Abroad', the most "accessible" the band have truly been (you could see this being called post-punk, even), an oddly beautiful track. 'Beyond The 12th House' and the excellent 'Pollen Moon' are more in sync to what GPOGP do best - with guitarist/madman Casey Latimer howling out obtuse and disturbing lyrics over visceral, giallo-esque instrumentation that inevitably pierces the sinister mood with spikes of cantankerous noise. 'Darwinning' is even more brutal, flaying and flagellating, with Steven Huf's trumpet a slow yet somehow seductive boil low down in the mix; while 'Scrying' is an uneasy melding of the two extremes. Catherine Cumming's plodding drumming is inexorable, the inevitable pull into the mouth of madness, aided by Huf's bass that seems at once easy, obvious, uncompromising and off-kilter - and I have no idea how that can be true, but that's how it plays out. Ak Buk's vocals are less screaming here than they were on Eeling, their last album, more intent on enticing us down a Gothic wormhole on the aforementioned 'A Fraud, Abroad' and 'Ceramic Miscarriages' (which sounds a lot like defunct Perth band and one of my faves of the last ten years, Snowman). Then there is the weird pop bliss of 'Rainbow Islands' which I can't help but feel like is a cover - I'm pretty sure it isn't, but it sounds so different from what's come before, and yet is quintessentially GPOGP in every way (including the yacht-rock sax solo at the end, which to me makes this track all the more otherworldly). Finishing with 'Scissoring', another track that sonically feels like an urban nightmare giallo score, with added vocals by Shaun Ryder, Scrying In Infirmary Architecture is one weird, glorious ride. You will feel unclean after listening, irrevocably changed, possessed. You will feel the internal mark of the devil and will repeat in an endless mantra - "I love Girls Pissing On Girls Pissing." Get Scrying In Infirmary Architecture through Muzai Records here or here.
Friday, 18 September 2015
Girls Scrying On Girls Scrying
If there is one thing that is always assured, it's that a Girls Pissing On Girls Pissing release is going to be dark, garish, disturbing, visceral and seductive - something like an Argento film, directed by David Cronenberg circa '79, from a script co-written by Ben Wheatley and the Soska Sisters. The band played one of my favourite ever Sonic Masala shows back a few years ago now (also playing - Orlando Furious, Adam Cadell/Tony Irving and Blank Realm side-project Huge Nudes - truly unhinged night). I love these guys, their stilted, dark goth noise always a multimedia concern, with zines, books and artwork intrinsically entwined with the twisted sonics on display. Scrying In Infirmary Architecture is all of this, and more. There is the haunting sultry strike of 'A Fraud, Abroad', the most "accessible" the band have truly been (you could see this being called post-punk, even), an oddly beautiful track. 'Beyond The 12th House' and the excellent 'Pollen Moon' are more in sync to what GPOGP do best - with guitarist/madman Casey Latimer howling out obtuse and disturbing lyrics over visceral, giallo-esque instrumentation that inevitably pierces the sinister mood with spikes of cantankerous noise. 'Darwinning' is even more brutal, flaying and flagellating, with Steven Huf's trumpet a slow yet somehow seductive boil low down in the mix; while 'Scrying' is an uneasy melding of the two extremes. Catherine Cumming's plodding drumming is inexorable, the inevitable pull into the mouth of madness, aided by Huf's bass that seems at once easy, obvious, uncompromising and off-kilter - and I have no idea how that can be true, but that's how it plays out. Ak Buk's vocals are less screaming here than they were on Eeling, their last album, more intent on enticing us down a Gothic wormhole on the aforementioned 'A Fraud, Abroad' and 'Ceramic Miscarriages' (which sounds a lot like defunct Perth band and one of my faves of the last ten years, Snowman). Then there is the weird pop bliss of 'Rainbow Islands' which I can't help but feel like is a cover - I'm pretty sure it isn't, but it sounds so different from what's come before, and yet is quintessentially GPOGP in every way (including the yacht-rock sax solo at the end, which to me makes this track all the more otherworldly). Finishing with 'Scissoring', another track that sonically feels like an urban nightmare giallo score, with added vocals by Shaun Ryder, Scrying In Infirmary Architecture is one weird, glorious ride. You will feel unclean after listening, irrevocably changed, possessed. You will feel the internal mark of the devil and will repeat in an endless mantra - "I love Girls Pissing On Girls Pissing." Get Scrying In Infirmary Architecture through Muzai Records here or here.
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